20世纪80年代中国小说体式之争锋

发布时间：2018-01-11 15:26

本文关键词：20世纪80年代中国小说体式之争锋　出处：《学术交流》2017年07期 　论文类型：期刊论文

【摘要】：80年代,特别是其中期,中国小说文体处于急剧的变化之中。这一变化主要有两股推动力量:一是可以上承三四十年代的散文化与诗化的倾向,一是先锋派小说。小说文体的变化,集中表现在两点上:一是超脱于情节模式之外,一是模糊以至避免现实主义的"实指性"。前者表现为线性叙述的中断,情节小说、非性格人物的出现以及与之相应的对于塑造典型人物及写出典型环境兴趣的降低乃至漠视;后者则有莫言式的写感觉、马原式的设置叙述圈套和残雪式的写梦呓。而情节模式的弃置与"实指性"的模糊这两个方面,又是相互联系着的。先锋小说是一股形式主义的,亦即以艺术为本位的文学潮流。当先锋小说家在体式试验上愈益沿着象牙之塔新奇而精致的阶梯向着迷迷糊糊的云雾中上升时,就丢弃了脚下广袤的阅读空间。小说家们一心想当精神贵族,忘记了小说的本质恰恰是平民的。虽然在新时期小说体式的争锋中,散文化、诗化是上扬的,其势力获得急剧的扩展,但仍然存在坚持故事性、为小说结构的严密性辩护的另一种倾向。王安忆反对笔记体小说,对诗化小说也不满意。她认为小说创作走向精神的深刻宏大,靠逻辑。
[Abstract]:In 80s, especially in its middle period, the style of Chinese novels was in the process of dramatic changes. This change was mainly driven by two forces: one was the tendency to carry on the prose culture and poeticization of the 1930s and 40s. The first is the avant-garde novel. The change of the novel style is focused on two aspects: one is that the novel is detached from the plot mode, the other is the ambiguity and avoiding the realism, the former is the interruption of linear narration. Plot novels, the appearance of non-character characters and the corresponding decline or even neglect of the interest in creating typical characters and writing typical environment; The latter has the feeling of writing in Mo Yan style, the setting up of Ma Yuan type of narrative trap and the writing of dream balderness in the form of snow, while the abandonment of plot pattern and the ambiguity of "real signifying" are two aspects. The vanguard novel is formalistic. That is the literary trend based on art as the vanguard novelist ascends increasingly along the novel and delicate steps of the ivory tower to the misty clouds in the style experiment. They abandoned the vast reading space under their feet. Novelists wanted to be spiritual nobility, forgetting that the nature of the novel is precisely the common people. Although in the new period of novel style contention, prose culture, poetic is rising. But there is still another tendency to insist on the story and defend the strictness of the structure of the novel. Wang Anyi is opposed to the note-taking novel. She is not satisfied with the poetic novel. She thinks that the creation of the novel moves towards the profound and grand spirit and relies on logic.
【作者单位】：苏州大学文学院;
【分类号】：I207.42
【正文快照】： 一80年代,特别是其中期,小说文体处于急剧的变化之中,这一变化主要有两股推动力量:一是可以上承三四十年代的散文化与诗化的倾向,一是先锋派小说。小说文体的变化,集中表现在两点上:一是超脱于情节模式之外,一是模糊以至避免现实主义的“实指性”。前者表现为线性叙述的中断,

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