清代神魔小说《绣云阁》研究

发布时间：2018-01-11 17:38

本文关键词：清代神魔小说《绣云阁》研究　出处：《四川师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：《绣云阁》是清后期一部用文言写成的章回体神魔小说,其作者魏文中创作此书大致在咸丰(1851—1861)年间。本文致力于对《绣云阁》进行全面的、多角度的研究,希冀能准确地理解把握其作品实质以及价值意义。全文分为四个部分:首先,对《绣云阁》作者生平相关的文献资料进行了梳理,结合文本分析与考证,大致缩小了作者的生平年代,并对学者提出作者是“四川人”的观点提出了质疑;笔者尽可能地搜集、整理出《绣云阁》现存的版本信息,通过各版本之间的对比,对作品的初刊问题提出了一些疑问。其次,从作者的创作意图出发,探讨了整部作品所凸显的两大主题,即“学道修仙”和“阐明正道”。通过结合小说作者所处的时代社会政治格局、主流思想文化等背景因素,分析出蕴涵在小说情节结构故事深层处的儒家教化思想;通过对清代道教发展状况的整体把握,掌握了作品所含的道家思想与作者的修道观念,反映了小说“儒释道一体”的思想倾向。再次,从《绣云阁》的叙事框架和情节单元结构模式这两大方面,来分析其叙事特征。作品运用神魔小说常用的“天—地—天”空间转换结构,构建整体故事框架,在正副两条线索的交织发展中,巧妙运用“三极建构”模式,激发、推动故事的整体发展,并且通过“七十二徒”的人物设置作为整体故事的叙事暗线与终点;在情节单元结构模式的设置上,虽然《绣云阁》继承了前代神魔小说的叙事特征,但在具体情节单元故事的创作与选材等方面,有着自己独特的特性。最后,通过对神魔小说这一文体在清后期的创作现状做出的整体性梳理,然后,来具体分析《绣云阁》在创作上,对前代神魔小说因袭与模仿的情形,以及与前代神魔小说相较,《绣云阁》在思想意蕴和故事题材等方面出现的一些转变。
[Abstract]:Embroidered Cloud Pavilion is a novel written in classical Chinese in late Qing Dynasty. His author Wei Wen-wen wrote this book from 1851 to 1861. This paper is devoted to a comprehensive and multi-angle study of the "embroidered Cloud Pavilion". The full text is divided into four parts: first of all, the author combs the literature related to the author's life, combined with text analysis and textual research. It narrows the author's life history roughly, and questions the scholar's viewpoint that the author is a "Sichuan native". The author collected and sorted out the existing version information of "embroidery Cloud Pavilion" as far as possible, and put forward some questions about the initial publication of the works through the comparison of each edition. Secondly, from the author's creative intention. This paper probes into the two main themes of the whole work, namely, "learning the Tao and practicing immortals" and "clarifying the right way". By combining the social and political structure of the time, the mainstream ideology and culture of the author of the novel, and so on, this paper discusses the background factors. The author analyzes the Confucian enlightenment thought which is contained in the deep part of the story of the plot structure of the novel. Through the overall understanding of the development of Taoism in the Qing Dynasty, the author grasps the Taoist thought and the author's religious concept, which reflects the ideological tendency of the novel "integration of Confucianism, Buddhism and Taoism". From the two aspects of the narrative frame and the plot unit structure model of "embroidery Cloud Pavilion", this paper analyzes its narrative characteristics. The works use the space conversion structure of "Heaven, Earth and Heaven", which is commonly used in the novels of gods and demons, to construct the whole story frame. In the intertwined development of the two clues, the author skillfully uses the "three-pole construction" mode to stimulate and promote the overall development of the story, and through the character setting of "72" as the narration dark line and the end of the whole story; In the setting of plot unit structure model, although the "embroidery Cloud Pavilion" inherits the narrative features of the previous gods and demons novels, it has its own unique characteristics in the creation and selection of specific plot unit stories. Through the creation of this style in the late Qing Dynasty to make a holistic combing, and then, to specifically analyze the "embroidery Cloud Pavilion" in the creation of the previous generation of gods and demons novel inheritance and imitation. Compared with the previous novels of gods and demons, the embroidery Cloud Pavilion presents some changes in the aspects of ideological implication and story subject matter and so on.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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