“理”消解与“情”复归：南宋诗学本体论的困惑与选择

发布时间：2018-01-16 02:36

本文关键词：“理”消解与“情”复归：南宋诗学本体论的困惑与选择　出处：《云南师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：南宋诗学是南宋文化语境下特定的时代产物,南宋诗学一方面受宋学的影响是北宋诗学的承继与延伸,另一方面在特定时代的语境下文人的自觉变革使南宋诗学发生了新质的变化,南宋诗学本体从以“理”为主向以“情”为主发生趋变。南宋文人一直面临理学自抑与精神自由的矛盾,在诗学发展过程中南宋士人不断的反思与质疑,加之商业的繁荣与思想的解放,南宋诗学本体最终完成了向中国传统诗学情本论的复归。本文试图通过对南宋文化语境的准备,文学形态的更迭、文学群体的兴起、个体代表诗人的分析来把握南宋诗学本体的流变。本文的研究思路力图通过纵向历时的方式来展现南宋诗学本体趋变:从“理”为主的破裂到以“情”为主的复归,论文的第一章讨论南宋理学繁盛背后的消解原因,学派内部的分歧与理学统摄诗学而产生的畸形创作预示着以“理”为主的诗学本体开始破裂。第二章通过对南宋中兴时期文学态势的分析,以中兴四家为代表的南宋文人对以“理”为主的诗学弊病进行了反思并开始反叛固有诗法,诗学开始褪去理学外衣,情本论兴起。第三章重点研究南宋市井文化所衍生的出来的以“情”本论为创作几点的诗人群体。第四章通过对南宋先后三部诗学论著《石林诗话》、《岁寒堂诗话》、《沧浪诗话》的分析,“情”本论的理论构建完成。通过四个章节的梳理,希望改变长期以来人们对于南宋诗学与南宋士人的误解。它们并非禁锢于强势学术,它们也非情感苍白,一个短暂的王朝拥有繁荣的商业与争鸣的文化,南宋士人用他们的个人话语力量转变了时代的诗学走向,其诗学取向对后世影响深远,就南宋诗学本体论而言南宋,这是一个文化繁荣、文人自觉的时代。
[Abstract]:Poetics in the Southern Song Dynasty is a specific product of the times in the context of the Southern Song culture. On the one hand, the poetics of the Southern Song Dynasty is the inheritance and extension of the poetics of the Northern Song Dynasty under the influence of the Song School. On the other hand, in the context of a specific era, the literati's conscious change made the Southern Song Dynasty poetics a new change. In the Southern Song Dynasty, the essence of poetics changed from "principle" to "emotion". The literati of Southern Song Dynasty had been confronted with the contradiction between the self-restraint of Neo-Confucianism and the freedom of spirit, and in the process of poetics development, the scholars of Southern Song Dynasty constantly reflected on and questioned. In addition, the prosperity of commerce and the liberation of thought, the Southern Song Dynasty poetics Noumenon has finally completed the return to the traditional Chinese poetics. This paper tries to prepare for the cultural context of the Southern Song Dynasty, the change of literary form. The rise of literary groups. The analysis of individual representative poets to grasp the evolution of the poetic ontology of the Southern Song Dynasty. The research ideas of this paper try to show the evolution of the poetic ontology of the Southern Song Dynasty through the longitudinal diachronic way: from the rupture of "reason" to the "feeling". The return of the Lord. The first chapter discusses the reasons behind the prosperity of Neo-Confucianism in the Southern Song Dynasty. The differences within the school and the abnormal creation caused by Neo-Confucianism under the control of poetics foreshadowed the beginning of the rupture of the poetic Noumenon which is mainly "reason". Chapter two analyzes the literary situation of the Southern Song Dynasty in Zhongxing period. The literati in the Southern Song Dynasty, represented by the four schools of ZTE, reflected on the defects of poetics, and began to rebel against the inherent poetic method. Poetics began to fade away the jacket of Neo-Confucianism. The third chapter focuses on the study of the poet groups created by the "emotion" theory derived from the market culture of the Southern Song Dynasty. Chapter 4th through the Southern Song Dynasty three poetics works "Shi Lin Poetics". The analysis of "Han Tang Poems", "Canglang's Poems", and the theoretical construction of "emotion" theory are completed, which are combed through four chapters. I hope to change people's misunderstanding of the Southern Song Dynasty poetics and the scholars of the Southern Song Dynasty. They are not confined to strong academic, they are not emotional pale, a short dynasty has a prosperous business and contending culture. The scholars in the Southern Song Dynasty changed the trend of poetics with their personal words, and their poetics orientation had a profound influence on the later generations. In the Southern Song Dynasty, the ontology of poetics was a time of cultural prosperity and literati consciousness.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22

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