新世纪长篇小说的文体杂糅

发布时间：2018-01-16 22:01

本文关键词：新世纪长篇小说的文体杂糅　出处：《华中师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：新世纪以来,长篇小说的繁荣发展已经成为了我们无法忽视的事实,无论是在题材方面还是艺术表现形式方面,新世纪的长篇小说都出现了一些令人耳目一新的变化。在题材方面,乡村和历史这两大类题材成为新世纪长篇小说最热衷的选择,而在文体的创新方面,新世纪的长篇小说也呈现出了一些新的特质。上个世纪九十年代,长篇小说的文体的创新就已经开展了,但是,长篇小说的文体革新在新世纪才真正得到全面的展开,并取得令人瞩目的成绩。新世纪以来,在文学界差不多每一篇有分量的长篇小说的问世,都会以其独特的文体形式吸引我们的视线,《生死疲劳》、《受活》、《檀香刑》、《上塘书》、《秦腔》、《我的丁一之旅》、《浦之上》、《妇女闲聊录》、《蛙》等,莫不接二连三地给我们带来震撼和惊喜。而在新世纪的长篇小说的创作中,作家融合各种文学非文学要素,不断杂糅各种非小说文体,突破传统小说的边界规范,打破文体之间的界限,是新世纪以来比较突出的一种创作现象。本文着眼于文体杂糅的角度来分析新世纪的长篇小说的文体特征,试图通过对这一文学现象的分析来考察新世纪长篇小说的文体革新。本文主要分为三大部分,导论、正文、结语。导论部分主要是对“文体”、“长篇小说”的概念内涵进行一个简单的梳理和界定。正文部分共有四章,第一章和第二章论述新世纪长篇小说的文体杂糅的表现,第一章侧重论述新世纪长篇小说在体裁上的杂糅,体裁上的杂糅可以分为文备众体式的杂糅和文体互渗式的杂糅。文备众体式的杂糅又可分为五个方面。第一是与民间戏曲、歌谣的杂糅。第二是与戏剧的杂糅。第三是与书信的杂糅。第四是与诗歌的杂糅。第五是与实用文体的杂糅。文体互渗式的杂糅则包括三点,一是哲思性小说,二是方志体小说,三是口述实录体小说。第二章侧重的是新世纪长篇小说在语体上的杂糅,分为两部分,一是与文艺语体之间的杂糅和渗透,二是文艺语体与非文艺语体的杂糅。第三章针对新世纪长篇小说的文体杂糅现象探究其生成原因,主要有两个层面,作家自觉的文体意识,文体杂糅的传统。第四章是对上述论述的一个总结,分为两小节。第一节论述新世纪长篇小说文体杂糅的独特性,即区别于此前文体杂糅的特质。第二节即对新世纪长篇小说文体杂糅的一个评价。结语部分则主要侧重阐述本篇论文写作的目的。
[Abstract]:Since the new century, the prosperity and development of novels has become a fact that we can not ignore, whether in the subject matter or in the form of artistic expression. The novels of the new century have undergone some refreshing changes. In terms of subject matter, rural and historical themes have become the most popular choice of novels in the new century, while in the aspect of stylistic innovation. The novel of the new century also presents some new characteristics. In -10s, the style of the novel innovation has been carried out, but. In the new century, the innovation of the style of novel has really been carried out in an all-round way, and it has made remarkable achievements. Since the new century, almost every novel with great weight has been published in the literary world. The city will attract our attention with its unique stylistic form, "Life and death fatigue", "Lifetime", "Honolulu punishment", "Shangtang Book", "Qin Chamber", "my Tour of Ding Yi", "above Pu". "Women's gossiping", "Frog" and so on, bring us shock and surprise one after another. In the creation of novels in the new century, the writers fuse all kinds of literary and non-literary elements. Constantly mix all kinds of non-novel styles, break through the boundary norms of traditional novels, break the boundaries between styles. This paper focuses on the stylistic hybridity to analyze the stylistic features of the novel in the new century. This article is divided into three parts: introduction, text, conclusion. The introduction is mainly about style. There are four chapters in the text, the first chapter and the second chapter discuss the performance of the stylistic hybridity of the novel in the new century. The first chapter focuses on the genre of novels in the new century. The hybridity of genre can be divided into the mixture of style and style. The hybridity of style and style can be divided into five aspects. The first is folk opera. The second is the mixture with drama. The third is the mixture with letters. 4th is the hybridity with poetry. 5th is the hybridity with practical style. The mixture of style and style includes three points, one is philosophical novels. The second chapter is focused on the new century novel in the style of hybridity, divided into two parts, the first is the mixture and infiltration between literary and artistic style. The third chapter aims at the new century novel style miscellaneous phenomenon to explore its generation reason, mainly has two aspects, the writer conscious stylistic consciousness. Chapter 4th is a summary of the above exposition, which is divided into two sections. The first section discusses the unique features of the literary style of novel in the new century. The second section is an evaluation of the hybrid style of novel in the new century, and the conclusion mainly focuses on the purpose of writing this paper.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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