曹征路“底层小说”的叙事研究

发布时间：2018-01-17 14:25

本文关键词：曹征路“底层小说”的叙事研究　出处：《深圳大学》2017年硕士论文　论文类型：学位论文

【摘要】：“底层文学”作为文学研究中的一个热点议题,继《那儿》和《问苍茫》的发表引起全国轰动后,曹征路被誉为当代“底层文学”代表作家之一。本文研究对象主要是曹征路的“底层小说”,包括《问苍茫》、《战友田大嘴的好官生涯》、《天堂》、《真相》、《赶尸匠的子孙》、《豆选事件》、《那儿》、《霓虹》、《陪你玩到底》、《搓麻记》等。学界对“底层小说”的研究多侧重于叙事模式、思想主题等方面,本文则注重对“底层小说”叙事艺术(如叙事姿态、叙事策略、叙事视角、叙事结构、叙事时间、叙事语言等)的专题研究。根据曹征路“底层小说”的特点和研究现状,笔者从第一章叙事姿态、第二章叙事策略、第三章叙事手法三个方面展开讨论和分析。其中,第一章叙事姿态,侧重介入当下、双重批判和务实求新三个方面。第一,从间接旁观和直接承担分析曹征路介入当下的叙事姿态。笔者从布斯强调作者的客观性出发,强调作者价值立场的重要性。在关注现实,为人生方面,笔者将曹征路同鲁迅作比较,强调两者创作立场的一脉相成性。从而验证曹征路的介入当下的立场,使其“底层小说”显示出批判现实的社会意义。第二,关于双重批判,笔者侧重揭露时弊和叩问灵魂两个方面,强调曹征路关于知识分子在社会结构中的边缘性和独立性的批判立场的观点。第三,关于务实求新,笔者从朱光潜的美学观念出发,论证曹征路“底层小说”坚守传统与锐意创新的叙事姿态。这表现在两个方面,一是对单纯追求形式的否定;二是期待现实重新“主义”(即欣赏文学作品的基本内容)。第二章叙事策略,笔者将其分为两个方面:从抗争走向对话,从写实走向写意。从抗争走向对话,首先是人与环境的抗争,这里的环境主要指社会环境、自然环境和生活环境。其次是人与人的抗争,可分为利益共同体内部和利益共同体外部两种形式的抗争。最后是人与自我的抗争,并举例论证人与人之间的冷漠和隔阂造就了像《那儿》中小舅,《赶尸匠的子孙》中任义,以及《霓虹》中倪红梅之类人与自我抗争的故事。接下来,笔者从巴赫金的对话理论出发,探讨曹征路“底层小说”按编年从抗争走向对话的过程。最后,根据朱光潜的美学观念,同汪曾祺、沈从文等“注入一种诗的抒情”的小说创作相比,曹征路“底层小说”从写实走向写意的特色,也就是人物命运的诗意化处理。第三章叙事手法,侧重分析曹征路“底层小说”的叙事视角、叙事结构、叙事时间和叙事语言。叙事视角上,笔者从传统与现代的融合的写作方法展开对全知叙事、限知叙事、纯客观叙事和后经典风格四个方面展开讨论。叙事结构上,从叙事主体和叙事的时间结构出发可从时序变形、复调技巧和对戏剧法和塑造扁平人物的喜爱三个方面展开分析。叙事时间上,笔者从单一叙事和重复的频率予以探讨研究。叙事语言上,注重对其写实、幽默及反讽的特点分析。本文研究的近十部(篇)曹征路的“底层小说”,可以说代表了其新时期文学创作的主要成就,在当代中国文学尤其“底层文学”创作领域也占有重要地位。因而,对这些作品展开叙事研究,不仅可以了解作家本人的创作特色和局限,也对研究当代“底层小说”的叙事成就及其局限具有重要的启迪意义。
[Abstract]:The "Bottom Literature" as a hot topic in the study of literature, following: < > and < > there to ask the national sensation, Cao Zheng Lu is regarded as one of the representative writers of contemporary "Bottom Literature". The main research object of this paper is Cao Zheng Lu's "bottom" novels, including "Cang mang Q >." comrades good officer Tian mouth career >, < < > > of heaven, the truth, "energy-saving children >, < < > bean selected events, where < < > >, neon, accompany you to play in the end > >, < Cuoma. Remember to study the" bottom novel "circles emphasis on narrative pattern, theme and so on, this paper focus on the narrative art of" bottom novels "(such as narrative attitude, narrative strategy, narrative perspective, narrative structure, narrative time, narrative language, etc.) the special study. According to Cao Zheng Lu" bottom novel "characteristics and research status, the author from the first chapter narrative attitude, second chapter third chapter narrates the narrative strategy. Discussion and analysis of three aspects. The first chapter narrative, narrative attitude, focus on three aspects in the modern, double critique and pragmatic innovation. First, from the indirect and direct analysis on Cao Zheng Lu in the modern bear narrative attitude. Objective from the booth to emphasize the author of the importance of author value position. In reality, for life, the author will compare with Lu Xun Cao Zheng Lu, a phase of emphasizing both the creation of the position. In order to verify the position in the modern Cao Zheng Lu, the "bottom" novels show critical realistic social significance. Second, about double criticism, the writer reveals two aspects and problems soul, emphasize on the intellectuals in Cao Zheng Lu marginal social structure and the independence of the critical position. On the third, pragmatic innovation, the author from Zhu Guangqian's Aesthetics Read of the "bottom" novels demonstrate Cao Zheng Lu stick to tradition and innovation of the narrative attitude. This is manifested in two aspects, one is to deny the simple pursuit of the form; the two is expected to "reality" (i.e. the basic content of appreciating literature). In the second chapter, the narrative strategy, the author divides it into two A: from protest to dialogue, from realism to Impressionism. From the struggle to dialogue, the first is the person and the environment against the environment here mainly refers to the social environment, natural environment and living environment. The second is human struggle, can be divided into two types of community interests and the interests of the community outside the internal struggle finally people and self struggle, and an example is demonstrated between people's indifference and estrangement created as the < >, < uncle there, the children of any vampire carpenter > and <, > Ni Hongmei neon story such as man and self struggle with. The author, based on Bakhtin's dialogue theory, to explore the process of Cao Zheng Lu "bottom novels" by chronicle from protest to dialogue. Finally, according to the aesthetic concept, Zhu Guangqian and Wang Zengqi, compared Shen Congwen "into a lyric novels," Cao Zhenglu "bottom" novels from realism to Impressionism characteristics. That is the fate of the characters of poetic treatment. The third chapter focuses on the analysis of narrative, Cao Zheng Lu "bottom novel" narrative perspective, narrative structure, narrative time and narrative language. The narrative perspective, the author writing methods from the traditional and modern fusion of limited omniscient narrative, narrative, narrative and pure objective four aspects of the classic style is discussed. The narrative structure, starting from the time structure of the narrative subject and the narrative from the temporal deformation, polyphonic technique and drama and shaping people's favorite three flat Analyze the narrative time. From the study, to be single narrative and repetition frequency. The narrative language, focusing on the analysis of the characteristics of realism, humor and irony. This paper studies the nearly ten (articles) of Cao Zhenglu's "bottom novels", can be said to represent the main achievements of the new period literature in contemporary literature, especially the "China field bottom literature creation also occupies an important position. Therefore, Narration Research on these works, we can not only know the characteristics and limitations of the writer's creation, but also on contemporary" bottom novel "narrative achievements and its limitation and significance.

【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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