唐诗中的“落花”

发布时间：2018-02-14 00:33

  本文关键词： 唐诗 落花 意象　出处：《西北大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文以唐诗中的“落花”为研究对象,从四个方面对唐诗中的“落花”作了深入分析。第一章对唐前文学中的“落花”进行了大致梳理。本文认为“落花”一词最早出现在南朝齐谢g的《往敬亭路中》,第一首专咏“落花”的诗歌为南朝梁萧子范的《落花》。第二章对唐诗中“落花”入诗的创作情况做量化分析,通过《唐诗中的“落花”统计表》和《唐人“落花”入诗数量(句)统计表》两个表格,将“落花”入诗情况直观地展示出来,得出唐诗中的“落花”有55个种类,涉及作者480余人,诗句数量近2800句。本章还对入诗最多的杨花和描写“落花”最多的诗人白居易进行了个案分析。第三章阐述了唐诗中“落花”的情感内涵,归纳出了伤春惜时之叹、离别思归之苦、花落人亡之悲和闲适安逸之情。本章还从“落花”意象与其他意象的组合角度进行阐述,通过对“风雨落花”、“落花流水”、“落花飘雪”、“莺啼落花”四个意象群的分析,将唐诗中“落花”意象的情感内涵和审美特征较为全面地展示了出来。第四章对“落花”使用的典故进行分类统计,分析和阐述了这些典故所表达的思想主题,即对桃源仙境的向往、对红颜芳华的叹惋和对名人逸士的赞美。通过对唐诗中“落花”的梳理、统计和分析,本文得出如下结论:其一,“落花”在唐诗中非常普遍,种类繁多、数量庞大,是诗人们频繁描摹的对象之一。其二,“落花”入诗在唐诗中有一个发展壮大的过程,“落花”意象是在唐诗中发展成熟的。中晚唐时期“落花”入诗的数量较初盛唐时明显增多,诗人寄予“落花”的情感也更为丰富、细腻。其三,“落花”的情感内涵在唐诗中得到了广泛拓展。唐诗中的“落花”意象承继了前代的伤春惜春之情,并贯穿唐诗始终,“落花”与其他意象的组合使其情感意蕴更加丰富。最后,唐诗中的“落花”也包涵着丰富的思想主题,“落花”入诗的艺术性显著提升,为后世“落花”诗词的创作奠定了基础。
[Abstract]:This article takes "falling flowers" in Tang poetry as the research object. This paper makes an in-depth analysis of "falling flowers" in Tang poetry from four aspects. The first chapter roughly combs the "falling flowers" in the literature before Tang Dynasty. The first poem dedicated to "falling flowers" is "falling flowers" by Xiao Zifan of the Southern Dynasty. The second chapter makes a quantitative analysis of the creation of "falling flowers" in Tang poetry. Through the two tables of "falling flowers" in Tang poetry and "the number of falling flowers" in poems (sentence statistics tables) in Tang Dynasty, the situation of "falling flowers" in poems is displayed intuitively, and it is concluded that there are 55 kinds of "falling flowers" in Tang poetry. This chapter also makes a case study of Yang Hua, who has entered the most poems, and Bai Juyi, who describes the most "falling flowers". The third chapter expounds the emotional connotation of "falling flowers" in Tang poetry. In this chapter, the author summarizes the feeling of sadness and ease of death and leisure, and expounds the combination of "falling flowers" image and other images, from the point of view of the combination of "falling flowers" image and other images. Through the analysis of the four image groups of "wind, rain and falling flowers", "falling flowers and running water", "falling flowers and floating snow" and "warbler singing falling flowers", The emotional connotation and aesthetic characteristics of "falling flowers" images in Tang poetry are displayed in a more comprehensive way. Chapter 4th classifies and statistics the allusions used in "falling Flower", and analyzes and expounds the ideological themes expressed by these allusions. That is, yearning for Taoyuan Wonderland, bemoaning the beauty of Fanghua and praise the celebrities. Through combing, statistics and analysis of "falling flowers" in Tang poetry, this paper draws the following conclusions: first, "falling flowers" is very common in Tang poetry, and there are many kinds of falling flowers. It's a huge number, It is one of the objects frequently described by poets. Secondly, there is a growing process of "falling flowers" in Tang poetry, and the image of "falling flowers" is mature in Tang poetry. The number of "falling flowers" entering poetry in the middle and late Tang Dynasty is obviously higher than that in the early Tang Dynasty. Third, the emotional connotation of "falling flowers" has been extensively expanded in Tang poetry. The image of "falling flowers" in Tang poetry inherits the feelings of hurting spring and cherishing spring in previous generations. And throughout the Tang poetry, the combination of "falling Flower" and other images enriches its emotional meaning. Finally, the "falling Flower" in Tang Poetry also contains a rich ideological theme, and the artistic quality of "falling Flower" into the poem is greatly enhanced. It has laid a foundation for the creation of the poem of falling Flower in later generations.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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本文编号：1509464