东汉范巨卿故事的书写

发布时间：2018-02-17 04:01

本文关键词： 范巨卿人物形象东汉书写　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：东汉名士范巨卿,山阳金乡人,其生卒具体年代已不可考,在汉代以来的诸多历史文献及文学作品中,范式(字巨卿)的故事一再得到书写与传播,而也正是在这样的书写中,范式及其相关的故事不断地被改编和演绎。关于范式(字巨卿)本人,现有立于魏青龙三年(公元235年)的碑文保存至今,是关于范式人物生平最早的记载。在范晔《后汉书·独行列传》中,共记载了范式的四件事,一是在太学游学并与汝南人张劭结识,两人分别时相约两年后范式到汝南张劭家中赴约,两年后,范式如约而至;二是张劭病故,死后托梦于范式,范式得知后急忙去奔丧,与其告别后将其安葬;三是范式后来又去太学学习,受同学长沙陈平子托付照顾其妻儿返乡,范式应允并践行;四是范式在荆州刺史任上遇到曾经的同窗孔嵩,并对其加以举荐,孔嵩不肯出仕。范晔在编著《后汉书》时已相较于范式这一人物的生活时代已有三百余年,在这三百年的过程中,范式的人物书写已经有所取舍。而后世中范式这一形象的再创作,大多又以范晔《后汉书·范式传》为底本。同时,在魏晋南北朝时期,干宝创作的《搜神记》中录有《山阳死友传》的故事,可以看做后世着重突出“范张相交”的事迹起点。在唐宋时期,众多的文人诗作中引用范式张劭相交的典故,或者寄托友情,或者怀念古人。宋元之后,市民社会兴起,普通民众对于文艺作品的需求日益旺盛,范巨卿及其相关故事在文学作品中得到新的演绎。元代杂剧《死生交范张鸡黍》,就是以《范式传》为蓝本对其故事进行的艺术演变,及至明代,话本小说的兴起再次带动了范式故事的流传,特别是明末小说家冯梦龙的小说集《三言二拍》的风行,其中就有《范巨卿鸡黍死生交》这一故事对于范式故事的全新改写。而也正是小说家对范式故事浓墨重彩的书写,使得范式的故事得以风行,进而民间对于范式这一人物的品格和事迹更加推崇,明清以降,在范式的家乡,纪念范张的祠堂屡毁屡建,更多的文人墨客在范式的家乡留下了纪念二贤的文字。千年以来,范式这一人物及其相关故事的书写深刻地打上了每个时代的烙印,范式的人物形象也在历史流转中历经变化。
[Abstract]:Fan Juqing, a famous man of the Eastern Han Dynasty, was born in Jinxiang of Shanyang. In many historical documents and literary works since the Han Dynasty, the story of the paradigm has been written and spread again and again, and it is in this writing that it is in this way that the story is written. The paradigm and its related stories have been constantly adapted and interpreted. The inscription of the paradigm (Zhu Qing) himself, which has been written in Wei Qinglong for three years (A. D. 235), is still alive today. It is the earliest record of the life of the characters in the paradigm. In Fan Ye's Book of the Han Dynasty after Fan Ye's Biography of the Han Dynasty, there are four things about the paradigm. One is to travel in the Taixue and make acquaintance with Zhang Shao of the Runan people. Two years later, the paradigm came to the house of Zhang Shao in Runan. Two years later, the paradigm came as promised; second, Zhang Shao died of his illness, after his death, he entrusted his dream to the paradigm, and the paradigm hurried to the funeral and buried him after saying goodbye to him; Third, the paradigm later went to Taixue to study, and Chen Pingzi, a classmate of Changsha, entrusted to take care of his wife and children to return home. The paradigm promised and practiced; fourth, the paradigm met the former classmate Kong Song in the history of Jingzhou and recommended it. Kong Song refused to come out of office. Fan Ye, when he wrote the Book of the later Han Dynasty, had been living in the age of more than 300 years in comparison with the paradigm. In the course of these three hundred years, However, the re-creation of this image in later generations is mostly based on Fan Ye's "Biography of the later Han Dynasty". At the same time, during the Wei, Jin and Northern and Southern dynasties, The story of "dead friends of Shanyang" is recorded in Gan Bao's Records of God search, which can be regarded as the starting point of the deeds of "Fan Zhang intersecting each other" in later generations. In the Tang and Song dynasties, many literati poems cited the allusions of the paradigm Zhang Shao intersecting each other. Either relying on friendship or remembering the ancients. After the Song and Yuan dynasties, the civil society rose, and the general public had a growing demand for literary and artistic works. Fan Juqing and his related stories got a new interpretation in their literary works. The Yuan Dynasty zaju "living and exchanging Fan Zhangjiong" was the artistic evolution of his story based on the "Biography of the Paradigm", until the Ming Dynasty. The rise of fictions has once again led to the spread of paradigm stories, especially the popularity of novelist Feng Menglong's collection of novels, "three words and two beats", in the late Ming Dynasty. Among them, Fan Juqing's story "Fan Juqing's broiler broomcorn and sexual intercourse" is a new rewriting of the story of paradigm. And it is the novelist's intense writing of the story of paradigm that makes the story of paradigm popular. And then the folk praised the character and deeds of this character of paradigm more highly. In the hometown of the paradigm, in the Ming and Qing dynasties, Fan Zhang's ancestral temple was repeatedly destroyed and built, and more literati left words to commemorate the two sages in the paradigm's hometown. For millennia, The writing of Paradigm and its related stories is deeply marked by each era, and the characters of Paradigm also undergo changes in the historical circulation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K234.2;I206

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