中国古代意象特征体系建构论

发布时间：2018-03-05 13:43

  本文选题：古代意象　切入点：直观性　出处：《内蒙古社会科学(汉文版)》2017年03期 　论文类型：期刊论文

【摘要】：意象是中国古代文论的核心范畴之一。中国古代意象具有直观性、形上性、结构性三个重要特征,三者构成一个完整的体系。直观性表现为读者"皎然在目"的欣赏直观与作者"应目会心"的创构直观。形上性表现为作品超越性的"哲学意义"与作者对人生、历史、宇宙的形上思考。整体性表现为意象是由言、象、意三个层面契合成一体,并且每一层面都是有内有外、有显有隐的结构体。这三个特征的产生有着深厚的哲学基础,它们根植于意象的哲学源头《周易》《老子》《庄子》中的象论。正因为意象的这三个特征,古代文论从意象论发展为意境论有着必然性,这也揭示了中西意象之间的重要差异。
[Abstract]:Image is one of the core categories of ancient Chinese literary theory. The three constitute a complete system. Intuitionism is the appreciation intuition of the reader "Jiao ran in the eye" and the creation of the author's "understanding of the eye", and the metaphysical expression is the transcendent "philosophical significance" of the work and the author's view of life and history. Metaphysical thinking of the Universe. The wholeness is represented by the integration of the three levels of speech, image and meaning, and each of them has an internal and external structure with a hidden structure. These three characteristics have a profound philosophical foundation. They are rooted in the image theory in the philosophical source of imagery, the Book of changes, and Zhuangzi. It is precisely because of these three characteristics that the development of ancient literary theory from image theory to artistic conception theory is inevitable, which also reveals the important difference between Chinese and western images.
【作者单位】： 湖南师范大学文学院;
【基金】：国家社科基金项目“《乐记》文本、理论与注释史研究”(编号:15BZW001)
【分类号】：I206.2
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本文编号：1570504