陆时雍《诗镜总论》研究

发布时间：2018-03-21 14:17

本文选题：陆时雍　切入点：《诗镜总论》　出处：《江南大学》2017年硕士论文　论文类型：学位论文

【摘要】：陆时雍作为晚明颇具特色的学者和诗论家,不依附于任何流派,思想独立而多有洞见。他的诗学理论呈现出复古与反复古相结合、“崇正”与“尚变”并存的特性。这种特性,是其遵守传统与背离传统的双重思想个性在诗学领域的呈现,同时又是陆氏面对诗道式微,邪说流炽的晚明诗坛,吸收各家理论之所长,纠拨各种诗歌创作流弊,以独特的诗学观点和诗美理想,为处于困境中的中国古典诗歌寻求新出路的尝试。陆时雍的诗学观点和理论卓见,集中展现在《诗镜总论》的断语片言中。他将“情真”与“韵长”视为诗歌最重要的两个审美质素,并以之作为优秀诗歌作品的本质要求;他既崇尚独创性,又崇尚规则,至法无法的诗歌技巧观念贯穿其矛盾诗法观始终;在诗史观方面,他持“代不如古”的代降论,并完整地构建了以《诗经》为极则的代降诗史秩序。在具体的诗歌批评实践中,陆时雍以“神韵”、“情境”、“真素”、“雅道中和”等范畴为并置的批评标准,要求诗歌要做到神韵绵绵、情与境合,追求天然真素,排斥人力雕琢,贵中和,崇雅道。以此批评标准观照汉魏迄晚唐诗歌,陆时雍对历代诗人诗作进行了别具只眼的铨评。在陆时雍的诗学理论和批评实践中,复古的立场与创新的方法论被建设性地结合在一起,构建了一道灵光络绎的诗学风景,也为中国古典诗歌实现发展困境的突围寻到了一条可能成功的路径。
[Abstract]:Lu Shi-yong, a distinguished scholar and poetician in the late Ming Dynasty, did not attach himself to any school, and his thoughts were independent and insightful. His poetic theory was characterized by the combination of retro and anti-retro, the coexistence of "Chongzheng" and "still changing". It is the dual ideological personality of his adherence to tradition and deviation from tradition that presents in the field of poetics. At the same time, he is faced with the decline of poetic path and the incandescent fallacy of fallacy in the late Ming poetry world, absorbs the advantages of various theories, and corrects all kinds of shortcomings in poetry creation. An attempt to find a new way out for the Chinese classical poetry in its predicament with its unique poetic viewpoint and ideal of poetic beauty. He regards "true feelings" and "rhyme length" as the two most important aesthetic qualities of poetry, and regards them as the essential requirements of excellent poetry works. He advocates both originality and rules. The concept of poetic skills which cannot be reached by law runs through his contradictory view of poetic law. In the view of history of poetry, he holds the theory that "generation is not as good as ancient", and completely constructs the historical order of poetry from generation to generation with the Book of songs as the most important principle. In the practice of specific poetry criticism, he constructs the order of the history of poetry from generation to generation, which is based on the Book of songs. Lu Shiyong uses the categories of "verve", "situation", "truth", "Ya Dao Zhonghe" and other categories as the concurrent criteria for criticism, which requires poetry to achieve rhyme continuity, emotion and environment, pursue natural truth, reject human carving, expensive neutralization, and so on. According to the criterion of criticism, Lu Shi-yong made a special comment on the poems of the poets of the past dynasties. In his poetics theory and critical practice, Lu Shi-yong made a special comment on the poems of the past dynasties. The position of retro and the methodology of innovation are constructively combined to construct a brilliant poetic landscape and to find a possible successful way to break through the predicament of the development of Chinese classical poetry.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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