庾信的“记忆宫殿”:中古宫廷诗歌中的创伤与暴力

发布时间：2018-03-22 05:31

本文选题：庾信　切入点：记忆　出处：《上海大学学报(社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：一个人如何回忆和书写一段创伤的经历,并进而把它转化为一件文学作品?对创伤的记忆如何决定了它在文学中的再现?它的文学再现又会如何重塑一个人的记忆?导致创伤的缘由——不论是战争、死亡、暴力,还是离散——一直都存在于人类社会中,而在一位中国六世纪贵族诗人庾信身上,我们将看到这些关于创伤记忆和文学再现等问题复杂地纠缠在一起,并对中国文学史产生了深远的影响。对于庾信来说,正因为固有的诗歌写作传统和资源皆不足以表达创伤体验和复杂的个人情感,诗人开始尝试创建新的诗歌语言和自我书写方式,对南方宫廷诗歌的既有类型和写作常规进行变形,创造一种新的诗歌语言。而在这一过程中,庾信以南方宫廷诗歌的材料、资源和技术作为基础,建构了一个错综复杂的文本"记忆宫殿"。就这样,庾信重新营造了宫体诗,使它成为可以再现个人经历特别是痛苦经历的媒介。
[Abstract]:How can one recall and write a traumatic experience and turn it into a literary work? How does the memory of trauma determine its reproduction in literature? How does its literary reproduction reshape a person's memory? The cause of the trauma, whether it be war, death, violence, or separation, has always existed in human society, and in Yu Xin, a sixth-century Chinese aristocratic poet, We will see that these issues, such as traumatic memory and literary reproduction, are intricately entangled and have a profound impact on the history of Chinese literature. It is because the inherent poetic writing tradition and resources are not enough to express traumatic experience and complex personal feelings, the poet began to try to create new poetic language and self-writing style. In this process, Yu Xin is based on the materials, resources and techniques of the Southern Palace Poetry. In this way, Yu Xin reconstructs the palace poem and makes it a medium for reproducing personal experience, especially painful experience.
【作者单位】：哈佛大学东亚语言与文明系;
【基金】：笔者现阶段研究课题《早期中古宫廷诗歌的帝国书写与自我书写》(暂题)的一部分
【分类号】：I207.22

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