“三言”空间叙事研究

发布时间：2018-03-22 07:12

本文选题：“三言”　切入点：空间叙事　出处：《山西师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：20世纪80年代以来,随着叙事学的空间转向,我国古典文学作品中的空间问题逐渐得到关注。冯梦龙编纂的“三言”(即《喻世明言》、《警世通言》、《醒世恒言》)是我国古代文学史上最有成就的白话短篇小说集,对其空间叙事的研究无疑具有重大意义。从小说的各篇篇目来看,共有32篇点出了故事发生的地点,如《闲云庵阮三偿怨债》、《赵伯升茶肆遇仁宗》、《陈从善梅岭失妻》、《闹樊楼多情周胜仙》等;从其文本内容看,据笔者统计,文本中描写酒店茶肆、寺庙道观、水上江船、官府衙门等地点场所的分别有50、52、38、46篇,52篇涉及梦境描写,此外,还有多处讲到谶言、签词、卦语、偈语、异象、仙镜、地府等,120篇作品却呈现出这些共同性特征,显示了作者创作时强烈的空间意识,为探究“三言”的空间叙事提供了可能。本论文分四部分展开对“三言”空间叙事的探析。在分析之前,首先对本论文的研究对象进行了界定,包括情节场景发生地点或场所的实体空间与基于实体空间又超越实体空间的意识空间,在文本中以现实空间与非现实空间两大类来展开探究。其次,梳理了与本论题有关的研究现状,以对“三言”研究和古代小说中的空间叙事研究有一个全面把握。第一部分着重从儒释道三家思想方面探讨古代空间意识的哲学渊源,总结出古人的空间观特点,并对在此空间观念影响下创作出的小说的空间叙事特点进行了梳理。第二部分关于现实空间,从两个方面进行分析:第一,现实空间构成的主要类型。它是指频繁出现的众多酒店茶肆、寺庙道观、水上江船、官府衙门等空间,探究了其原因及文化意涵。第二,四大空间的叙事功能。它们在文本结构中具有推动情节发展、塑造人物性格、深化与完整主题的作用。第三部分关于非现实空间,从两个方面进行论述:第一,非现实空间的生成及其主要表现类型。非现实空间出现的思想基础是古人的天人感应观、佛道思想及民间信仰等,表现形式的主要类型为梦幻空间、谶纬空间、仙宫地府等。第二,非现实空间的作用。它们常常是情节发展的线索,并对人物命运具有暗示作用,显示出一种支配民众命运的神秘异己力量。第四部分,论述了“三言”空间叙事的技巧:其一,压缩时间、突出空间的时空关系;其二,叙事空间的直接转换和间接转换协同配合下的叙事空间转换技巧。通过这四部分内容的阐释,笔者试图建立起“三言”空间叙事的框架,并期待能够以此为窗口探究古典白话小说的空间叙事特点,为古典小说空间问题的理论建构尽自己的微薄之力。
[Abstract]:Since the 1980s, with the spatial shift of narratology, The space problem in the classical literature works of our country has been paid more and more attention. Feng Menglong's "three words" (that is, "Yu Shi Ming Yan", "warning word", "wake up the world forever") is the most successful collection of vernacular short stories in the history of ancient Chinese literature. There is no doubt that the study of its spatial narration is of great significance. From the various contents of the novel, there are 32 articles that point out where the story took place. For example, "three resentful debts", "Zhao Bosheng's tea shop meets Ren Zong", "Chen Congshan Meiling lost wife", "making Fan-lou affectionate Zhou Shengxian" and so on; from the content of his text, according to the author's statistics, the text describes hotel tea shops, temples, Taoist temples, river boats, etc. There are 50, 522, 3846, and 52 articles on the description of dreams in the government offices and other places. In addition, there are more than 120 works about prophecy, signs, hexagrams, verse, vision, immortals, prefectures, etc., which show these common features. It shows the strong spatial consciousness of the author, which provides the possibility to explore the spatial narration of "three words". This paper is divided into four parts to analyze the space narrative of "three words". First of all, the research object of this paper is defined, including the physical space of the place or place of the plot scene and the consciousness space based on the entity space and transcending the entity space. In the text to explore the two categories of real space and non-realistic space. Secondly, combing the current situation of research related to this topic, The first part focuses on the philosophical origin of ancient space consciousness from three aspects of Confucianism, Buddhism and Taoism, and summarizes the characteristics of the ancients' space concept. And the space narrative characteristics of the novels created under the influence of the concept of space are combed. The second part analyzes the real space from two aspects: first, The main types of real space. It refers to the frequent appearance of many hotels, tea shops, temples, temples, river boats, government offices and other space, to explore its causes and cultural implications. Second, The narrative function of four big spaces. They have the function of promoting plot development, shaping character, deepening and complete theme in the text structure. The third part discusses the non-realistic space from two aspects: first, The ideological basis of the appearance of the non-realistic space is the ancients' perception of Heaven and Man, the thought of Buddhism and Taoism and the folk belief, and the main forms of expression are dream space, prophecy space, and so on. The role of impractical space. They are often clues to the development of the plot, and have implications for the fate of the characters, showing a mysterious dissident power that dominates the fate of the people. Part four, This paper discusses the techniques of space narration in "three words": first, compressing time to highlight the space-time relationship of space; secondly, the skill of space conversion of narrative space, which is coordinated by direct and indirect transformation of narrative space. The author tries to set up the frame of "three words" spatial narrative, and looks forward to exploring the spatial narrative characteristics of classical vernacular novels by using this as a window, so as to contribute to the theoretical construction of space problems in classical novels.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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