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格非小说的“后革命叙事”

发布时间:2018-03-25 08:39

  本文选题:格非小说 切入点:“后革命叙事” 出处:《辽宁大学》2017年硕士论文


【摘要】:格非自登上文坛以来就成为先锋作家中重要的一员,格非小说具有的先锋性使其在中国当代文学史上留下浓墨重彩的一笔。深入探究格非小说创作,其具有“后革命立场”的小说是其重要组成部分。格非摆脱了传统革命历史叙事的模式化倾向,在新的时代背景与创作观念的共同作用下,重新思考革命历史叙事的样态,以新的历史观和叙事策略重塑革命历史叙事的新图景,其审慎的态度与辩证的思维方式致使革命历史叙事呈现出独特的艺术风貌。“后革命”作为一种具有多重内涵的理论,为格非小说的研究提供了有效的阐释维度。格非在借鉴中西方文学资源以及结合自身创作观念的基础上,在故事架构、人物塑造以及叙事策略等方面对传统革命历史叙事进行重构,从而建构了“后革命时代”革命历史叙事的新形态。论文主要分以下几个部分:绪论部分在明确选题对象以及研究意义的基础上,对前人研究成果进行梳理,进而指出本选题的研究方法和创新之处。第一章是“后革命”与中国当代文学叙事。在对“后革命”理论加以界定的基础上,对中国当代文学的“后革命叙事”进行梳理。首先,从中西方的理论演变来探讨“后革命”理论,并且指出“后革命”在文学上的具体表征。其次,分别从80年代文学和90年代以来文学两个阶段来展开论述,明确中国当代文学中“后革命叙事”的嬗变。本章旨在明确“后革命”理论的具体内涵,进而阐述格非小说“后革命叙事”生成的文学场域。第二章是“后革命叙事”的文化语境与格非的成长史。从时代背景、作家心态以及具体创作三方面来展开论述。首先,对中国视阈下的“后革命时代”加以分析。其次,结合成长经历、作家记忆以及时代特征阐述先锋作家的创作心态。再次,结合具体创作阐述历史叙事呈现的寓言化倾向。第三章是格非小说“后革命叙事”的审美追求。格非小说中具有“后革命立场”的小说不同程度地体现了对传统革命叙事的消解。主要表现为历史定论的非必然性,小说中往往呈现出故事情节的突然转变与目的和结果的偏离,前者使叙事呈现偶然性,后者使叙事具有反讽性。与此同时,革命场景呈现出非史诗性特点,场景的营造以及暗淡化描写增添了文本的悲剧色彩。此外,革命者表现出欲望化、宿命感以及目的与信念游移的特点。第四章是格非小说“后革命思维”与叙事策略。一是格非小说中运用叙事“空缺”,造成人物行动和故事情节的断裂。二是格非选取独特的意象对革命故事进行书写,首先,水意象蕴含着挥之不去的忧郁和孤独,梦意象则是预示着理想的失败。其次,阁楼与瓦釜意象象征着对生存的围困。再次,金蝉作为信物推动着情节的发展,瓦釜预示着理想的无奈放逐。第五章是对格非小说“后革命叙事”的深层思考。首先,探究格非“后革命叙事”的独特性,格非小说创作呈现出由早期的形式策略向后期注重革命历史转变的特点。并且,革命者参加革命的动力有时是内心的欲望,伴随革命进程的是对潜在爱慕对象的追求。其次,对先锋派“后革命叙事”立场进行反思,主要侧重于对先锋派“后革命叙事”的批判性思考。结语部分是格非小说“后革命叙事”的意义、价值及展望。
[Abstract]:His self boarded the literary world has become an important member of the avant-garde writers in the vanguard of Gefei's novels due to their stay in the history of contemporary literature Chinese thick and heavy in colours on a pen. Explore Gefei's novels, which has a "post revolutionary standpoint" is an important part of the story. Get rid of the tendency of Ge Fei model the traditional revolutionary history narrative, in the common role of background and creation of new concepts, new thinking patterns of revolutionary history narrative, with a new picture of the new conception of history and narrative strategies to reshape the revolutionary history narrative, the prudent attitude and dialectical thinking mode in revolutionary history narrative showing a unique artistic style. "After the revolution" as a multi connotation theory provides effective interpretive Dimension Research of Gefei's novels in reference to western literature. His resources and combining the concept of creation On the basis of the structure of the story, characters and narrative strategies etc. to reconstruct the traditional revolutionary historical narration, so as to construct a new form of post revolutionary era "revolutionary historical narration. This paper is divided into the following parts: the introduction part based on clarifying the objects and the meaning of the research, reviews the previous research the results, and points out the research methods and innovations. The first chapter is" the revolution "and Chinese contemporary literary narration. Based on the definition of" Post Revolution "on the theory of China contemporary literature" post revolutionary narration "combs. First of all, to explore the" Post Revolution "theory from the theory of evolution in the west, and pointed out that" the specific representation of revolution in literature. Secondly, from 80s and 90s literature literature since the two stages to discuss, clear Chinese contemporary literature The evolution of "post revolutionary narration". This chapter tries to clarify the specific connotation of "Post Revolution" theory, and then elaborates the literary field of Gefei's Novels "post revolutionary narration" generation. The second chapter is "the cultural context and his post revolutionary narration" growth history. From the background, writers and writings of the mind three aspects. First, to Chinese from the perspective of "post revolutionary era" to be analyzed. Secondly, combined with the growth experience, the writer of memory and the characteristics of the Times described the pioneer writer's creation mentality. Thirdly, combined with the specific creation tendency of fable historical narrative is described. The third chapter is the aesthetic pursuit of Gefei's Novels "post revolutionary narration" with "post revolutionary position" in the novels of Gefei's novels reflect the varying degrees of the deconstruction of the traditional narrative revolution. Mainly for the non necessity of the verdict of history, novels often show From the plot of the story suddenly change and the purpose and results, the former makes narrative contingency, which is the narrative irony. At the same time, the revolutionary scene showing a non epic character, scene to create and add the text description of the dark desalination of tragedy. In addition, the revolutionaries showed a desire, fatalism and characteristics the purpose and faith wavering. The fourth chapter is "post revolutionary thinking" of Gefei's novels and narrative strategies. One is to use the narrative "vacancy" of Gefei's novels, resulting in fracture action figures and story. The two is selected the unique image of Ge Fei writing of revolutionary stories first, water image contains the lingering melancholy and loneliness that is the dream image indicates that the ideal failure. Secondly, the attic and tile cauldron image symbolizes the siege of survival. Once again, cicada as a keepsake to promote the development of the plot, Watt kettle indicates The ideal helpless exile. The fifth chapter is the deep thinking of Gefei's Novels "post revolutionary narration". First of all, the unique of Gefei "post revolutionary narration", Gefei's novels emerged from early to late form of attention to the revolution of historical transformation. And the dynamic revolutionary in the revolution is sometimes inner desire with the process of revolution, is the potential love object pursuit of the avant-garde ". Secondly, after reviewing the revolutionary narrative stance, critical thinking focuses on the avant-garde" post revolutionary narration ". The conclusion of Gefei's Novels" post revolutionary narration "meaning, value and prospect.

【学位授予单位】:辽宁大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42

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