莫言小说民间性研究
发布时间:2018-03-25 10:35
本文选题:莫言 切入点:民间性 出处:《牡丹江师范学院》2017年硕士论文
【摘要】:本文主要就我国著名作家,诺贝尔文学奖获得者莫言提出的“作为老百姓写作”的文学作品的创作观点,即对莫言文学民间性进行研究。随着莫言在文学领域创作风格的逐渐形成,莫言提出了“作为老百姓写作”的创作思想。所以论文第一部分首先梳理莫言小说民间性的呈现。这一思想与以往文艺界“为老百姓而写作”采取自上而下反映现实的伪民间写作有所不同,莫言认为自己就是一名老百姓,自己的文学创作本质上就是一名老百姓对自己周遭社会现实的真实反映。莫言认为文学创作者只有把自己真正摆在民间的位置上,才能真实地反映民间题材,写出具有深度的现实主义作品。论文第二部分探讨莫言作品民间文化的形态以及美学表现。莫言在其文学创作中,不仅将真实的山东省高密市以现实主义的表现手法还原在其文学作品当中,同时还运用具有象征性的表现手法将一些具有现实意义但并不在现实中真实存在的文学元素融入到其文学作品当中,莫言通过高超的文学表现能力,为读者展现了在真正的现实并不真实存在,但却真实拥有高度现实性价值的很多元素,从而实现了文学作品反映现实而又高于现实的文艺主张。论文最后一部分重点阐述对民间叙事的传承与反思。在莫言早期的写作中,曾经大量借鉴现代西方文学的很多写作方式,在文学创作过程中,莫言对技巧的深入认识与文学创作理论进行提炼与研究,但莫言始终认为立足中国传统来构建反映中国现实的文学才能真正创作出有深度的作品。因此在借鉴了西方现代文学的一些理论与技巧的同时,莫言将文学创作的主要方法与中国传统艺术进行结合,而在文学创作上形成了独具特色的个人风格。
[Abstract]:This paper focuses on the literary works of "writing as the common people" put forward by Mo Yan, a famous writer and Nobel Prize winner in literature. That is, to study the folklore of Mo Yan's literature. With the gradual formation of Mo Yan's creative style in the field of literature, Mo Yan put forward the creative thought of "writing as the common people". Therefore, the first part of the thesis firstly combs the appearance of the folklore of Mo Yan's novels. This thought is reflected from the top down in the past "writing for the common people" in literary and art circles. The reality of pseudo-folk writing is different. Mo Yan thinks that he is a common people, and that his literary creation is essentially a true reflection of the social reality around him. Mo Yan believes that literary creators only have to put themselves in the position of the people. The second part of the thesis discusses the form of folk culture and aesthetic performance of Mo Yan's works. Not only will the real Gaomi City of Shandong Province be reinstated in its literary works with realistic expressive techniques, At the same time, he also uses symbolic means of expression to incorporate some literary elements which have realistic significance but do not exist in reality into his literary works. To show the reader that there are many elements of real reality that are not real, but that have a high degree of realistic value. The last part of the thesis focuses on the inheritance and reflection of folk narration. In Mo Yan's early writing, In the process of literary creation, Mo Yan refined and studied the deep understanding of skills and the theory of literary creation. However, Mo Yan always believed that only by constructing literature reflecting Chinese reality based on Chinese tradition could he really create works of depth. Therefore, he drew lessons from some theories and techniques of modern western literature, and at the same time, he drew on some theories and techniques of modern Western literature. Mo Yan combined the main methods of literary creation with Chinese traditional art and formed a unique personal style in literary creation.
【学位授予单位】:牡丹江师范学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42
【参考文献】
相关期刊论文 前10条
1 周领顺;;“乡土语言”翻译及其批评研究[J];外语研究;2016年04期
2 闫石;;张炜与莫言——民间立场选择的比较研究[J];运城学院学报;2016年02期
3 杜丽华;;想象的民间——论莫言《檀香刑》中的民间叙事[J];西安建筑科技大学学报(社会科学版);2016年02期
4 施e,
本文编号:1662744
本文链接:https://www.wllwen.com/wenyilunwen/hanyuyanwenxuelunwen/1662744.html