“真心观”:晚明一种独特的文艺理念——以“明末四高僧”为中心

发布时间：2018-03-30 20:06

  本文选题：真心观　切入点：明末四高僧　出处：《浙江师范大学学报(社会科学版)》2017年06期

【摘要】："真心"既是"明末四高僧"佛学思想的终极指归,也是他们文艺理念上的自觉诉求。他们在晚明建立起"真心"与文艺的互动关系,强调"真心"流露,标举出"真心观"这一文艺理念。"真心观"不同于晚明主流文学思潮而具有独特的内涵和价值,应引起文学史、文学思想史学者的关注。
[Abstract]:"sincerity" is not only the ultimate goal of the Buddhist thoughts of the "four eminent monks in the late Ming Dynasty", but also the conscious demand of their literary and artistic ideas. In the late Ming Dynasty, they established the interactive relationship between "sincerity" and literature and art, and emphasized the "sincerity". Different from the mainstream literary trend of the late Ming Dynasty, the concept of sincerity has its unique connotation and value, which should arouse the attention of scholars in the history of literature and the history of literary thought.
【作者单位】： 武汉大学文学院;
【基金】：国家社会科学基金重大项目“中国宗教文学史”(15ZDB069)
【分类号】：I206.2
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本文编号：1687441