论张炎《词源》的传播及其影响

发布时间：2018-03-30 20:11

本文选题：《词源》　切入点：张炎　出处：《湖北民族学院》2017年硕士论文

【摘要】：关于词的起源,与词乐是密不可分的,有乐始有曲,有曲始有词。见诸文字记载最早的是唐代词中的敦煌曲子词。作为一种配合曲谱的新的文学体裁,词的兴起主要由三种因素促成:音乐的繁荣、城市演唱活动和音乐娱乐活动的活跃、民间艺术的滋养。词的发展走的是一条从民间创作到文人创作的道路,它流行于民间和教坊,并逐渐受到文人的注意。大约从盛唐以后,文人开始模拟试作,倚声填词,逐步得到广泛地应用。乐、曲、词三者迭兴是有渐进之序的,三者相辅相成。我国古代有“诗亡而谱作”之说,宋词全盛之时,歌坊的乐工们每天弹唱,对乐谱和乐词都很熟稔,因而并未对其进行记录。及至宋、元之交,词乐逐渐衰落,作为格律派词人的张炎,以两宋词为研究对象,总结、整理词体创作规律,写下传世佳作——《词源》。学界对《词源》的研究从未间断,在批评研究中传承张炎词学思想,在词体创作实践中传播张炎词学主张。为张炎《词源》在20世纪奠定了重要地位。到了21世纪,学者们秉承20世纪的词学研究思路与创作实践,《词源》的研究呈现出繁盛、多元化、体系化的趋势。值得关注的是,在具体的研究过程中,学者们还结合了美学、接受学、比较学等不同方法。通过张炎《词源》传播历程的分析,既能总结古代文论经典的传承规律,也能探索和发现文论经典生成的传播规律,收获相得益彰的研究效应。以张炎的《词源》为具体的研究对象,探讨在不同时期、不同历史背景下文学经典形成的兴衰变化及其词学的发展脉络,并展现出不同时期《词源》的作用及价值,这对研究文学经典的传播具有一定的意义。
[Abstract]:The origin of ci is closely related to the music of ci. There is music before music, and there are songs before ci. The earliest recorded lyrics in the Tang Dynasty are Dunhuang tunes. As a new literary genre, The rise of ci is mainly driven by three factors: the prosperity of music, the active activities of city singing and music entertainment, and the nourishment of folk art. It was popular among the folk and the Jiefang, and gradually attracted the attention of the literati. Around the time of the Tang Dynasty, the literati began to simulate the trial work, recline and fill in the words, and gradually they were widely used. There was a gradual sequence of music, song, and ci. The three complement each other. In ancient China, there was the theory that "poetry died and music was written." when Song ci was at its peak, the musicians of GE Fang played and sang every day, and were very familiar with music scores and poems, so they did not record them. Until the Song and Yuan dynasties, ci music gradually declined. Zhang Yan, as a rhyme etymologist, takes the ci poems of the two Song dynasties as the object of study, summarizes and arranges the rules of ci writing, writes down the excellent works handed down from time to time-"etymology". The academic research on etymology has never stopped, and Zhang Yan's etymological thoughts have been passed on in the critical study. In the practice of ci style creation, Zhang Yan's propositions of etymology have been spread, which has laid an important position for Zhang Yan's etymology in the 20th century. In the 21st century, scholars have inherited the ideas and creative practice of etymology in the 20th century, and the study of etymology has flourished. The trend of diversification and systematization. It is worth noting that in the specific research process, scholars have also combined different methods, such as aesthetics, reception, comparative studies, etc. Through the analysis of the spreading process of Zhang Yan's etymology, It can not only sum up the inheritance law of ancient literary theory classics, but also explore and discover the spreading law of literary theory classics, and reap the research effects that complement each other. Taking Zhang Yan's etymology as the specific research object, this paper discusses the different periods. The rise and fall of literary classics in different historical backgrounds and the development of etymology show the function and value of etymology in different periods, which has a certain significance for the study of the dissemination of literary classics.
【学位授予单位】：湖北民族学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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