从模仿到创新—莫言与魔幻现实主义的本土性建构

发布时间：2018-04-12 23:11

本文选题：莫言 + 魔幻现实主义　；参考：《东北师范大学》2015年硕士论文

【摘要】：莫言是中国八十年代文坛上生于斯、长于斯并创作于斯的典型作家,其笔下的高密东北乡奇幻瑰丽、血肉丰满,是他熔中西方文化于一炉的产物。对拉美魔幻现实主义的欣赏使他对其进行模仿、消化及再创造,这种对魔幻现实主义的本土性转化使莫言的作品得以大放光彩,2012年诺贝尔文学奖评审委员会在其授奖词中提到:“……意识形态和各种形式的改革运动来来去去,但人类自私和贪婪的本性仍然存在……在莫言的作品里,世界文学所发出的声音淹没了其他大多数同时代人的声音……”[1]他正以融中西特色于一体的本土化魔幻笔法来冲击并震撼着中国文坛。在长期的创作实践中,莫言将自己的文字牢牢扎根于“高密东北乡”这个奇幻瑰丽的文学王国中;在故乡的所见所闻很大程度上影响了其个人写作风格的形成。他意识到,要达到艺术上的成熟并寻求写作上的突破,就不能只依附于作为“舶来品”的拉美魔幻现实主义。在模仿借鉴其主题、结构和语言等方面的同时,要将乡土民间作为作品的生命源泉,以此探索魔幻现实主义与中国传统文化结合的契机。《檀香刑》的完成标志着莫言有意识地大踏步后退,完成对本土的回归,也完成了从模仿到融合再到创新的对拉美魔幻现实主义的本土性转化,形成了独具一格的当代小说叙事风格。诺贝尔文学奖掀起的莫言风潮一方面肯定了莫言优于同时代其他作家的创作天赋,另一方面却折射出后诺奖时代文学界的功利之象,这值得作家、研究者和读者一同深思。
[Abstract]:Mo Yan is a typical writer who was born in the literary world in 1980's, grew up in this field and created in his works. His novels of Gaomi Northeast Township are fantastic and rich in flesh and blood, which is the product of his fusion of Chinese and Western culture.His appreciation of Latin American magic realism led him to imitate, digest and recreate it.This native transformation of magic realism has given Mo Yan's work a great splendor, as the 2012 Nobel Prize Committee for Literature said in its award: ".Ideology and all forms of reform movement come and go, but human selfishness and greed still exist.In Mo Yan's works, the voices of most of his contemporaries were drowned out by the voices of the world literature. "[1] he is striking and shaking the Chinese literary world with a native magic style that integrates Chinese and Western characteristics.In his long creative practice, Mo Yan firmly rooted his writing in the fantastic and magnificent literary kingdom of Gaomi Northeast Township, and his personal writing style was greatly influenced by what he saw and heard in his hometown.He realized that in order to achieve artistic maturity and seek a breakthrough in writing, he could not only rely on Latin American magic realism as an "exotic".While imitating and learning from its theme, structure and language, it is necessary to regard the local folk as the source of life of the work.In order to explore the opportunity of combining magic realism with Chinese traditional culture, the completion of Honolulu punishment marks Mo Yan's conscious step back and his return to China.It also completes the native transformation of Latin American magic realism from imitation to fusion to innovation, and forms a unique narrative style of contemporary novels.The trend of Mo Yan caused by the Nobel Prize for Literature on the one hand affirms that Mo Yan is superior to other writers of his time, but on the other hand reflects the utilitarian image of the literary world in the post-Nobel Prize era, which is worth pondering by writers, researchers and readers.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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