论何其芳形象的当代建构

发布时间：2018-04-13 22:08

本文选题：“新时期” + “延安道路”　；参考：《中国现代文学研究丛刊》2017年08期

【摘要】：因为革命的"延安道路"横亘其中,以唯美感伤的《画梦录》为文学起点的何其芳,持续遭遇来自不同文学阵营的压力而面临"解释自己"的困境,因为创作"荒芜"的焦虑,他又不断地进行"自我批评"。尤其是在"新时期",革命与个人、政治与文学的二元对立被一再重复,一个分裂的何其芳形象由此建构起来。这中间不乏缝合的努力,但无论文学审美自律的强调,还是知识分子主体的凭吊,却都是对分裂话语的重复,而此后反思现代性话语,虽重申文学与现实互为镜像的关系,但从审美和政治的双重维度否定了宏大历史进程中的个人选择。很大程度上,就因为这些话语的立场各异、路径迥别、方法互渗,决定了何其芳文学形象的当代建构成为一个竞争的场域,"统一"的何其芳形象由此陷入难以企及的境地。
[Abstract]:Because of the "Yan'an Road" of the revolution, He Qifang, whose literary starting point is the aesthetically sentimental "Dream of painting", continues to encounter pressure from different literary camps and face the dilemma of "explaining himself", because of the anxiety of "desolation" in his creation.He continued to carry out self-criticism.Especially in the new period, the binary opposition between revolution and individual, politics and literature is repeated again and again, and a split image of He Qifang is constructed.There is no shortage of suture efforts, but both the emphasis of literary aesthetic self-discipline and the intellectual subject are duplicates of the split discourse. After that, the rethinking of the modern discourse, though reaffirming the relationship between literature and reality as mirror image,However, it negates the individual choice in the grand historical process from the dual dimensions of aesthetics and politics.To a large extent, because of the different positions, paths and methods of these words, the contemporary construction of He Qifang's literary image has become a competitive field, and thus the "unified" He Qifang image has fallen into a difficult position.
【作者单位】：许昌学院文学与传媒学院;河南大学历史文化学院;
【基金】：河南省哲社项目“现代作家的‘延安道路’及其创作研究”(项目编号:2017BWX018) 教育厅哲学社会科学基础研究重大项目“‘新时期’以来河南城乡小说梦想叙事研究”(项目编号:2015-JCZD-005)的阶段性成果中国博士后基金第十批博士后特别资助(项目编号:2017T100528)的支持
【分类号】：I207.25

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