论“流散”语境下梁秉钧“发现的诗学”

发布时间：2018-04-14 13:33

本文选题：也斯 + 梁秉钧　；参考：《文学评论》2017年05期

【摘要】：梁秉钧将"香港意识"熔炼为一种诗学,或可称为"发现的诗学"。其"发现的过程"藉由观看、倾听和品尝等不同层面展开,打开视觉、听觉及味觉的感官入口,建立个体与世界的关联。其中视觉层面所采用的"移动透视"演变自中国传统山水画,超脱了西方绘画几何学的"焦点透视"。而在听觉层面,梁秉钧强化了新诗的节奏感和音乐性,不仅借鉴"纽约派"的"变化的音步"来写诗,还热衷于探讨传媒影像的声色互动。1997年之后梁秉钧还拓展了味觉的诗学维度,探索"舌尖上的世界",考察"流散文化"的复杂变迁。除了锤炼语言文字,梁秉钧也利用综合媒体来演绎纷繁混杂的都市生活,在传统文学文本遭遇视听影像冲击的今天可谓别开生面。
[Abstract]:Liang Bingjun melts Hong Kong consciousness as a kind of poetics, or discovery poetics.The process of discovery opens the sensory portal of vision, hearing and taste by watching, listening and tasting, and establishes the connection between the individual and the world.The "moving perspective" used in visual level evolved from Chinese traditional landscape painting, which transcended the "focus perspective" of western painting geometry.At the auditory level, Liang Bingjun strengthened the rhythm and musicality of the new poetry, not only learning from the "New York School" "the change of the sound step" to write poetry.After 1997, Liang Bingjun also expanded the poetic dimension of taste sense, explored the "world on the tip of the tongue", and examined the complex changes of "dispersed culture".In addition to refining the language and characters, Liang Bingjun also uses the comprehensive media to interpret the numerous and mixed urban life, which is unique today when the traditional literary texts are impacted by audio-visual images.
【作者单位】：山东大学(威海)文化传播学院;
【基金】：国家社科基金重大课题“中华文化和华文文学”(批准号14ZDB080) 山东省社科规划青年学者培养专项“流散汉语新诗的艺术创新与继承优秀传统文化研究”(批准号:16CQXJ16)的阶段性成果
【分类号】：I207.25

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