屈从与抗拒:后生文艺对于西厢模式的应对策略

发布时间：2018-04-15 23:25

本文选题：戏曲艺术 + 艺术创作　；参考：《艺术百家》2017年04期

【摘要】：《西厢记》作为文本上的文学经典和舞台上的艺术经典,为后生文艺提供了生生不息的经验和资源,对后生文艺产生了无声无息的召唤,同时也造成了难以抗拒的压力。后生文艺在持久、热烈地追慕、模仿西厢模式的同时,也对于《西厢记》这一经典影响而致的模式有着顺从或者抗拒的焦虑。有的是戏拟西厢模式,以一种间离感对西厢模式产生调笑的意味;有的是利用西厢模式,通过吸收《西厢记》的丰富资源来实现意义的增殖,为自己的叙事意图服务。在对西厢格套模仿盛行、渐成窠臼的环境中,它们各以自己的努力,通过打破西厢模式所包含的主旨趣味、人物形象、情节格套等成分,表现出在《西厢记》经典影响下依托传统、寻求突破的探索和努力,以及摆脱影响、寻求突破的不屈从态度。
[Abstract]:As the literary classics in the text and the artistic classics on the stage, the "Western Chamber" provides endless experience and resources for the afterlife literature and art, produces the silent call to the afterlife literature and art, at the same time has caused the irresistible pressure.While pursuing and imitating the model of the Western Chamber, the afterlife literature and art has the anxiety of obedience or resistance to the model caused by the classic influence of "the West Chamber".Some of them are imitating the western chamber model, which has a kind of sense of distance to the west chamber model, and some make use of the western chamber mode to realize the multiplication of meaning through absorbing the abundant resources of the "West Chamber", and serve their narrative intention.In an environment in which imitation of the West Chamber style is prevailing and gradually becoming a stereotype, each of them, with their own efforts, breaks the gist interest, the character image, the plot set and so on contained in the West Chamber pattern.Under the influence of the Classics of the West Chamber, the author shows his attitude of seeking breakthrough by relying on tradition, seeking breakthrough, getting rid of influence and seeking breakthrough.
【作者单位】：杭州师范大学人文学院;
【基金】：2014年度国家社会科学基金一般项目“宋元通俗叙事文体与故事讲唱形态的文本化研究”(项目编号:14BZW066)阶段性成果之一
【分类号】：I207.37

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