《东方杂志》刊载“同光体”诗歌研究

发布时间：2018-04-15 23:25

本文选题：《东方杂志》 + 同光体　；参考：《山东大学》2017年硕士论文

【摘要】："同光体"诗派是清代宗宋诗风发展到晚近时期的高峰,它继承并发扬了道咸宋诗派的诗歌理论,形成了以陈衍为理论领袖,以陈三立、郑孝胥等人为创作领袖的"同光体"诗派。"同光体"诗派庞大的诗歌创作为中国古典诗歌作了一个完美的收官。随着"同光体"诗派淡出旧体诗坛,古典诗歌也随之没落了。随着报刊媒体业的发展,"同光体"诗派开始在期刊上发表自己的作品,扩大诗派影响力。《东方杂志》作为近代报刊中发行时间最长、影响力最大的报刊,其传统诗歌栏目,几乎被"同光体"诗派占据。本文即以"同光体"诗派发表在《东方杂志》上的诗歌为研究对象,通过文献考索、定量分析与定性分析结合等研究方法,探究"同光体"与《东方杂志》的关系,以期找出现代传媒方式与传统诗歌创作相互影响之处。本文第一部分是《东方杂志》的相关研究。通过研究《东方杂志》的办刊历程、办刊宗旨,探究其刊载"同光体"诗歌与其办刊理念之间的因果关系。本文第二部分是"同光体"诗派的相关研究。通过梳理"同光体"诗派的兴起与流变,探究"同光体"诗派"三元"说与"三关"说、"不俗"论、"学人之诗与诗人之诗"论等三大诗歌理论,从而确定"同光体"诗派的理论内涵,为下文研究打好理论基础。然后对出现在《东方杂志》上的诗人是否属于"同光体"诗派作了界定。再对《东方杂志》上发表的旧体诗歌做定量分析,确定"同光体"诗派在《东方杂志》诗文栏中的优势地位。在此基础上,对《东方杂志》上刊载的"同光体"诗歌题材特点与艺术特点作分析。本文第三部分首先探讨了"同光体"诗派在报刊上刊载诗歌的传统,然后研究了"同光体"作家与《东方杂志》编辑之间的密切交往,总结"同光体"诗派选择《东方杂志》作为其诗歌阵地的原因。本文最后一部分,首先对文化危机中"同光体"作家政治与文化上的双重遗民身份进行了分析。通过探究其在报刊媒体上大量发表诗歌以提高古典诗歌地位的做法,来说明"同光体"诗派在文化遗民身份上的自觉意识。然后,对晚清民初诗坛风气在"同光体"诗派的影响下逐步向宋诗派靠拢的现象进行了论述。附录1为《东方杂志》刊载"同光体"诗派诗歌收录整理。此前学界对于"同光体"诗歌的研究多集中在传统的研究领域,即其诗歌理论及代表作家的诗歌创作方面,缺少对"同光体"诗歌报刊刊载方面的研究。本文希望通过研究刊载在《东方杂志》上的"同光体"诗歌,补充完善关于晚清报刊诗歌研究的内容。
[Abstract]:The "Tongguang style" poetic school was the peak of the Qing Dynasty's poetry style of the Song Dynasty. It inherited and carried forward the poetic theory of the Taoism and the Song poetry school, and formed Chen Yan as the theoretical leader and Chen Sanli as the theoretical leader.Zheng Xiaoxu and others as creative leaders of the "same light" poetic school.The huge poetic creation of Tongguang style makes a perfect conclusion for Chinese classical poetry.With the fading out of the old sports poetry school, classical poetry also declined.With the development of the newspaper and media industry, the "Tongguang style" poetic school began to publish its own works in periodicals and expand the influence of the poetic school. As the longest and most influential newspaper in modern newspapers and periodicals, Orient magazine has its traditional poetry column.Almost occupied by the "same light" poetic school.This paper takes the poetry published in Oriental Journal as the object of study, and explores the relationship between "Tongguang body" and "Oriental Journal" by means of literature research, quantitative analysis and qualitative analysis.In order to find out the interaction between modern media and traditional poetry creation.The first part of this paper is the related research of Oriental Journal.Based on the study of the course and tenet of "Orient Magazine", the causality between the publication of "the same light body" poetry and its idea of running a magazine is explored.The second part of this paper is the related research of the poetic school of "Tongguang style".By combing the rise and evolution of the poetic school of "Tongguang style", this paper probes into the three major theories of poetry, such as the theory of "the same light" and the "poetic school", the theory of "three customs", the "good" theory, the "scholar's poem" and the "poet's poem" theory.So as to determine the theoretical connotation of the "Tongguang style" poetic school, and lay a theoretical foundation for the following research.Then the author defines whether the poet in Oriental magazine belongs to the same light style.Then quantitative analysis is made on the old style poems published in Orient magazine, and the dominant position of the "same light style" poetry in the poetry column of Oriental Journal is determined.On this basis, this paper analyzes the theme and artistic features of "Tongguang style" published in Oriental Journal.In the third part of this paper, we first discuss the tradition of "the same light style" poetry school in the newspaper, and then study the close contact between the "same light style" writer and the editor of Oriental magazine.This paper summarizes the reasons why the poetry school of Tongguang style chose Orient magazine as its poetic position.In the last part of this paper, the author's political and cultural identity in the cultural crisis is analyzed.By exploring his practice of publishing poems in large numbers in newspapers and media in order to improve the status of classical poetry, this paper illustrates the conscious consciousness of the "Tongguang style" poetic school in the identity of the cultural relic.Then, it discusses the phenomenon that the trend of poetry in the late Qing Dynasty and the early Republic of China gradually converged to the Song poetry school under the influence of the "same light style" poetic school.Appendix 1 is a collection of poetry published in Oriental Magazine.The previous studies on the poetry of "Tongguang style" mainly focused on the traditional research field, that is, the theory of poetry and the poetry creation of the representative writers, and the lack of research on the publication of "Tongguang style" poetry in newspapers and periodicals.This paper hopes to perfect the content of the research on the late Qing newspaper poetry by studying the poetry of "Tongguang body" published in Oriental Journal.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

【相似文献】