归有光经学思想与其散文创作
本文选题:归有光 + 儒学 ; 参考:《扬州大学》2017年硕士论文
【摘要】:经学是中国古代学术的主体,是儒家学说的核心组成部分,对中国文化及社会的发展产生重大影响,为历代文人学者所推重。归有光是明代的文学家,以散文著称于世。不可忽略的是,归有光在经学领域造诣颇深。在他的散文作品中,经学与文学存在紧密联系。研究归有光古文,理应关注这一点。因此,本文以归有光的经学思想及其散文创作为研究对象,从以下四个方面分章节进行系统阐述:第一章主要研究归有光的经学思想。第一节据现有史料梳理出归有光的经学思想渊源,在明中叶沉疴减轻的政局下,归有光对先辈及师友经学理念的接受;第二节则归纳总结归有光经学思想的基本特征,即坚持以经为本而取舍传注,尊奉程朱理学而不守门户,以“自得之见”求圣人之心。第二章辨析归有光散文创作与儒家经传之关系。归有光经学思想在其散文作品中主要以引用及论述儒家经传的方式体现。第一节重点分析归有光散文作品中对《诗》、《书》、《礼》、《易》的具体引用与论述;第二节着重分析归有光散文作品中对《大学》、《中庸》、《论语》、《孟子》的引据与论述。进而从中归纳总结归有光经学思想与散文创作之间的内在联系。第三章则分析儒家思想对归有光散文创作的影响。第一节讨论归有光在散文创作中对儒家理想政治的不懈追求,效法先王,积极参政治国,关心时事民生,注重“以德治民”的为吏之道;第二节论述归有光散文作品中展现的伦理观,虽然大体不出儒家伦理框架,却不尽同于道学家的严苛;第三节分析归有光在散文作品中对儒家人生观的阐扬,始终秉持“穷则独善其身,达则兼善天下”。第四章阐述儒家文艺观对归有光散文创作的影响。第一节论述归有光对儒家文艺观的继承与发展,在文道关系上认为文与道称,倡导文道并重,在情感态度上推崇以情为礼,重情而不纵情;第二节分析儒家文艺观影响下归有光散文的艺术特色,着重从典雅平实的语言和细腻生动的叙事这两个角度进行具体阐述。本文从经学与文学的关联性角度出发,在前人研究基础上,着重探讨归有光经学思想与其散文创作的内在联系,以期从特定方面推进归有光研究。
[Abstract]:Confucian classics is the main body of ancient Chinese learning and the core component of Confucianism. It has a great influence on the development of Chinese culture and society and has been emphasized by scholars and scholars of all dynasties.Gui Youguang, a writer in Ming Dynasty, is famous for his prose.What can not be ignored is that Gui Youguang has deep attainments in the field of Confucian classics.In his prose works, the study of classics and literature are closely related.Study Guiguang ancient prose, should pay attention to this point.Therefore, this article takes Gui Youguang's Confucian classics thought and its prose creation as the research object, from the following four aspects carries on the systematic elaboration: the first chapter mainly studies Gui Youguang's Confucian classics thought.In the first section, according to the existing historical data, we sort out the origin of Kui You-kuang 's Confucian classics thought, and in the middle of the Ming Dynasty, under the political situation of serious illness and lightening the political situation, Gui Youguang accepted the ideas of the predecessors and the teachers and friends of the Confucian classics; in the second section, he summarized the basic characteristics of Gui Youguang's thought of Confucian classics.That is, adhere to the classics-based and pass on notes, deference to Cheng-Zhu Neo-Confucianism and not the door, to "self-satisfied view" for the heart of the saint.The second chapter discriminates the relationship between Guiyou Guang's prose creation and Confucian classics.Gui Youguang's thought of Confucian classics is mainly reflected by quoting and expounding Confucian classics in his prose works.The first section focuses on the analysis of the specific citations and expositions in Gui Youguang's prose works on "Poems >, < Books >, < Rites >, < Yi >, and the second section focuses on the analysis of the citations and expositions of" University >, "the mean", "the Analects", "Mencius" in the prose works of Gui Youguang.And then sum up the relationship between Gui Youguang's thought of Confucian classics and prose creation.The third chapter analyzes the influence of Confucianism on Gui Youguang's prose creation.The first section discusses Gui Youguang's unremitting pursuit of Confucian ideal politics in his prose creation, following the example of the former king, actively participating in political affairs and governing the country, caring about current affairs and people's livelihood, and paying attention to "governing the people by virtue" as a government official.The second section discusses the ethics outlook in Gui Youguang's prose works, although it does not give the Confucian ethical framework, it is not the same as the strictness of the Taoists, and the third section analyzes the Confucian outlook on life in the prose works of Gui Youguang.Always adhere to the "poor, good alone, reach both good and the world."Chapter four expounds the influence of Confucian literature and art view on Gui Youguang's prose creation.The first section discusses Gui Youguang's inheritance and development of Confucian literary and artistic views. In the relationship between literature and Taoism, the author thinks that literature and Taoism should pay equal attention to literature and Taoism, and that in emotional attitude, it is highly courteous to emotion rather than indulgence.The second section analyzes the artistic characteristics of Guiguang prose under the influence of Confucian literary and artistic views, focusing on the detailed elaboration from the two angles of elegant and plain language and delicate and vivid narration.From the point of view of the relationship between Confucian classics and literature and on the basis of previous studies, this paper focuses on the internal relationship between Gui Youguang's thought of Confucian classics and his prose creation, in order to promote the study of Gui Youguang from specific aspects.
【学位授予单位】:扬州大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.62
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