明代宁夏诗人研究

发布时间：2018-04-17 08:36

本文选题：明代 + 宁夏诗人　；参考：《宁夏大学》2017年硕士论文

【摘要】：明代宁夏诗人与前代宁夏诗人的数量相比大幅度增多,创作诗歌的数量也明显上涨。根据《(嘉靖)宁夏新志》、《(万历)固原州志》、《(万历)朔方新志》等地方志及《宁夏历代诗词集》所收录的诗人诗歌作品,结合《明诗综》、《列朝诗集》、《明诗别裁集》等作品集,经过对诗人籍贯、为官经历的严格筛选,得出明代宁夏诗人的人数为94人,诗歌总数为457首。他们多出身科举,有良好的文学修养和诗文创作能力,共同铸造了明代宁夏诗坛繁荣的创作状态。根据明代宁夏诗人的在宁夏的主要活动时间,分为明初、明中叶、明末三个时期来研究,在整体概述明代三个分期宁夏诗人的创作情况的基础上,挑选出典型代表诗人来分析,以期厘清明代宁夏地区的诗歌发展史。本论文由引言、正文以及结语三部分构成。引言主要阐述选题的研究意义、研究现状、研究内容及研究方法,其中对明代宁夏诗人及明代分期作以界定。第一章论述了明初宁夏诗人的诗歌创作情况,主要从朱h4及庆王府官员、明初谪戍与流寓宁夏的诗人两大群体来论述,他们成为明初诗坛的创作主力,并留下了延生的文化根脉,为后代宁夏文学的繁荣发展打下了坚实的基础。第二章阐述了明中叶宁夏诗人的诗歌创作情况。明中叶宁夏诗人主要分成本土本籍的宁夏诗人和官居宁夏的外籍诗人两大群体。本土本籍的宁夏诗人数量大幅度增多,最杰出人物是以胡汝砺和管律为代表的两大进士家族。官居宁夏的外籍诗人中重点分析了杨一清、冯清、齐之鸾及以杨守礼为核心而形成的唱和诗人群体,在全面分析的基础上运用个案研究的方法,便于更全面地了解明中叶宁夏诗人的创作盛况。第三章研究了明末宁夏诗人的诗歌创作情况。明末的诗歌创作以官居宁夏的外籍诗人为主,石茂华等人创作的战争诗反映了明末宁夏战事的紧张。这一时期的撰志修书活动盛行,《(万历)固原州志》、《(万历)朔方新志》等地方志书完成编纂,在对宁夏地方文化的保存上起到很重要的作用,同时编纂志书的诗人诗歌也是明末诗坛的重要组成部分。第四章介绍的是明代宁夏诗人的创作特征及对宁夏的文化贡献。明代宁夏诗人创立了大量突出宁夏地域特征的自然人文意象,创作上呈现文学复古的倾向,表现出向明代主流文坛的靠拢;明代宁夏诗人对宁夏的文化贡献,主要是通过兴盛的撰志修书活动、兴起的儒学书院教学机构来推动,并且他们用自己的诗文创作积累了丰富的地方文化,为宁夏的地方文化发展奉献了一份力量。结语部分对全文进行了总结归纳,在整体概述明初、明中叶、明末三个分期宁夏诗人的诗歌创作情况的基础上,挑选出典型的诗人来进行个案研究,以求完整展现明代宁夏诗坛的创作状态。
[Abstract]:Compared with the former Ningxia poets, the number of poets in Ming Dynasty increased greatly, and the number of poems also increased.According to the local chronicles ((Jiajing) Ningxia Xinzhi >, < (Wanli) Guyuan Zhouzhi >, < (Wanli) Shuofang Xinzhi] and the poets' poems collected in Ningxia's Poetry Collection of the past dynasties, combined with the works such as "Ming Poetry Comprehensive", "column Chao Poetry Collection", "Ming Poetry separate works" and so on,Through the strict selection of poets' native place and official experience, it is concluded that the number of poets in Ningxia in Ming Dynasty is 94 and the total number of poems is 457.Most of them were born in imperial examinations and had good literary cultivation and poetic writing ability, which together forged the prosperous state of poetry in Ningxia in Ming Dynasty.According to the main activity time of Ningxia poets in Ming Dynasty, it is divided into three periods: the early Ming Dynasty, the middle Ming Dynasty and the late Ming Dynasty. On the basis of an overall overview of the creation of Ningxia poets in the three stages of the Ming Dynasty, the typical representative poets are selected to analyze.In order to clarify the Ming Dynasty Ningxia poetry history.This thesis consists of three parts: introduction, text and conclusion.The introduction mainly elaborates the research significance, the present situation, the research content and the research method of the topic, including the definition of Ningxia poet in Ming Dynasty and the period of Ming Dynasty.The first chapter discusses the poetry creation of Ningxia poets in the early Ming Dynasty, mainly from the officials of Zhu H4 and Qing Wangfu, and the poets of Ningxia in the early Ming Dynasty, and they become the main creative force of the poetry world in the early Ming Dynasty.And left a long cultural roots, for future generations of Ningxia literature prosperity and development laid a solid foundation.The second chapter expounds the poetry creation of Ningxia poets in the middle of Ming Dynasty.In the middle of Ming Dynasty, Ningxia poets were divided into two groups: native poets and foreign poets.The number of native poets in Ningxia has increased greatly, and the most outstanding figures are the two jinshi families represented by Hu Rili and Guan Ru.The foreign poets living in Ningxia mainly analyzed Yang Yiqing, Feng Qing, Qi Zhiluan and the group of singing poets with Yang Shouli as the core, and applied the method of case study on the basis of comprehensive analysis.To facilitate a more comprehensive understanding of the creation of Ningxia poets in the middle of the Ming Dynasty.The third chapter studies the poetry creation of Ningxia poets in the late Ming Dynasty.The poems of late Ming Dynasty were mainly composed by foreign poets who lived in Ningxia, and the war poems by Shi Maohua and others reflected the tension of the war in Ningxia in the late Ming Dynasty.During this period, the compilation of local chronicles, such as < (Wanli) Guyuan Zhouzhi, < (Wanli) Shuofang Xinzhi] and so on, was very popular, which played an important role in the preservation of local culture in Ningxia.At the same time, the poetry of the poet was also an important part of the poetry in the late Ming Dynasty.The fourth chapter introduces the writing characteristics of Ningxia poets in Ming Dynasty and their cultural contributions to Ningxia.In the Ming Dynasty, Ningxia poets created a large number of natural person literary images that highlighted the regional characteristics of Ningxia, and presented the tendency of literature restoration in their creation, which showed that they were close to the mainstream literary circles of the Ming Dynasty, and the cultural contributions of the poets in Ningxia to Ningxia in the Ming Dynasty.It was mainly promoted by the flourishing activity of writing and writing books, and the rise of Confucian academy teaching institutions, and they accumulated rich local culture with their own poetry and prose creation, and contributed a force to the development of local culture in Ningxia.The conclusion part summarizes the whole text, on the basis of the overall overview of the poetry creation of Ningxia poets in the early Ming Dynasty, the middle Ming Dynasty and the late Ming Dynasty, the typical poets are selected to carry out case study.In order to fully show the Ming Dynasty Ningxia poetry creation state.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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