“五四”时期傅斯年文论中的论述策略及文学革新观

发布时间：2018-04-20 05:30

本文选题：五四 + 新文学　；参考：《烟台大学学报(哲学社会科学版)》2017年05期

【摘要】："五四"时期,傅斯年在文论中有意采取面目模糊的文学定义,背后隐匿了其新文学观的论述策略,即借助歧义丛生的文学定义,获得"文学革新"的自身合法性,进而阐述文学革新观。傅斯年把现代文学变革放置在中华古典文学演变的大语境内,以历史的变革惯性来论证"文学一物,不容不变";没有割裂新文学与古典文学的关系,而是利用古典文学内在变革的规律,规训和证明新文学的存在,得出文学的进化与革新是中国文学历史发展中的内在要求这一结论。值得注意的是,傅斯年文学革新观的内在特质突显了文学的"时代精神",从而使文学与时代、社会建立紧密联系,未尝不是一种新的"文以载道"。
[Abstract]:In the period of May 4th Movement, Fu Sinian deliberately adopted a vague literary definition in his literary theory, which concealed his discussion strategy of the new literary view, that is, with the help of ambiguous literary definitions, he obtained the legitimacy of "literary innovation". And then expounds the concept of literary innovation. Fu Sinian placed the modern literary reform in the great language of the evolution of Chinese classical literature, and demonstrated with the historical change inertia that "one thing of literature cannot be kept unchanged", and that there is no relationship between new literature and classical literature. Instead, we use the law of the internal change of classical literature, discipline and prove the existence of new literature, and draw the conclusion that the evolution and innovation of literature is the inherent requirement in the development of Chinese literature history. It is worth noting that the inherent characteristics of Fu Sinian's literary innovation view highlight the "spirit of the times" in literature, thus making literature closely related to the times and society.
【作者单位】：厦门大学人文学院;
【分类号】：I206.6

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