未知死,焉知生——鲁敏论

发布时间：2018-04-20 07:23

  本文选题：文本主题 + 知生　； 参考：《南方文坛》2017年04期

【摘要】：正在鲁敏的小说里,我辨认出死亡。有时候,死亡被每个汉字、每个语词、每句话浓墨重彩地渲染着,声势浩大地宣誓着它对文本主题的所有权;有时候,它静静地趴在小说的空白处,像一个庞然巨兽,发出咻咻的气息;有时候,你以为摆脱了它,却在猝不及防的时候与它迎面相逢,并奇异地踏上了另外一条小路。可以说,死亡是鲁敏小说显在或潜在的主题、结构甚至信念。我有一种预感——如果不谈论死亡,我们可能对鲁敏一无所知。
[Abstract]:In Lu Min's novel, I recognized death. Sometimes, death is rendered by every Chinese character, every word, every sentence, vociferously vowing its ownership of the theme of the text; sometimes it lies quietly in the blanks of the novel, like a giant beast of Pang Ran. Sometimes you think you've got rid of it, but when you're caught off guard, you meet it head-on and set off on a strange path. It can be said that death is the theme, structure and even belief of Lu Min's novels. I have a hunch that if we don't talk about death, we may not know anything about Lu Min.
【作者单位】： 中国作家协会;
【分类号】：I207.42
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本文编号：1776810