《文苑英华》选录杜诗研究

发布时间：2018-04-21 06:37

本文选题：《文苑英华》 + 杜诗　；参考：《辽宁大学》2017年硕士论文

【摘要】：《文苑英华》是宋初官修四大书之一,选录了三国魏至五代的文学作品共一千卷,选录的作品2万篇,作家2200人。选录作品以唐代为主,是一部大型的文学总集。李焘《续资治通鉴长编》卷二十七记载:“上(太宗)以诸家文集,其数实繁,虽各擅所长,亦榛芜相间,乃命翰林学士宋白等精加挀择,以类编次,为文苑英华一千卷,壬寅上之,诏书褒答。”可见,《文苑英华》的编纂目的之一是对诸多文集“精加挀择”,也就是说《文苑英华》一开始就是以选本的面貌出现的。《文苑英华》的编纂者基本为翰苑、馆阁文士,是宋初文化建设的主要力量,也就说,作为文学选本的《文苑英华》集中体现了宋初作为文坛主流的馆阁文学的文学观念。本文对《文苑英华》选录的228首杜诗进行分析研究发现,其选录体现出了偏重寄赠酬答题材、缘情适意思想、清淡冲远的诗风等独特视角,集中体现出了宋初“白体”诗风笼罩下、以馆阁文臣为主导的诗坛对杜甫诗歌的接受状况。换言之,《文苑英华》对杜诗的选录是宋初“白体”诗人的诗学观观照下的产物。绪论部分说明了本文的选题意义、研究方法以及研究价值,同时对《文苑英华》编纂人员的文学倾向进行梳理,发现其编纂人员的诗歌创作大致都深受“白体”诗风的影响。第一部分对《文苑英华》成书前后杜诗的流传情况进行简要的概括,目的在于大体勾勒出《文苑英华》编纂时所见杜诗的基本情况。同时说明了《文苑英华》选录杜诗的基本概况,通过对比,发现《文苑英华》选录杜诗的篇幅多、比例大,说明其对杜诗的重视度还是很高的。在体裁上,《文苑英华》收录了杜甫的五古、七古、五律、七律和五排,其中以七古所占的比重最高,其次是五古,然后是五律,绝句和七排则没有收录。第三部分和第四部分对《文苑英华》选录的杜诗分别从题材、内容、风格、体裁进行分析和总结,发现其多偏重寄赠酬唱等人际往来的题材、缘情适意、吟咏性情的诗歌倾向以及清淡冲远和清丽工巧的诗歌风格,体裁上则有重古轻今的倾向。结合《文苑英华》主修人员李f 、徐铉等的诗学理论和诗歌创作情况,得出了宋初杜甫的接受基本是在宋初“白体”诗风的视角下进行的结论。
[Abstract]:"Wenyuan Yinghua" is one of the four great books revised by officials in the early Song Dynasty. It has selected and recorded a total of 1, 000 volumes of literary works from the three Kingdoms to the five dynasties, with 20, 000 selected works and 2200 writers. Selected works mainly in the Tang Dynasty, is a large collection of literature. Li Tao's Book 27: "on (Taizong) the collected works of the various families are numerous and complex, although they are all good at their superiors, they are also in the form of hazel, but they are the best selected for calligraphy, including Song Bai, and so on. They are compiled according to the category, and a thousand volumes of English literature are produced for the Wenyuan." Upon the above, the imperial edict answered with praise. " It can be seen that one of the purposes of compiling "Wen Yuan Ying Hua" is to "fine add selection" to many collections, that is to say, "Wen Yuan Ying Hua" appeared as an anthology at the beginning. The compilers of "Wen Yuan Ying Hua" are basically Han Yuan and the Pavilion literati. It is the main force of the cultural construction in the early Song Dynasty, that is to say, as an anthology of literature, "Wenyuan Yinghua" embodies the literary concept of the pavilion and pavilion literature as the mainstream of the literary world in the early Song Dynasty. This paper makes an analysis of 228 du poems selected from Wenyuan Yinghua, and finds that the selected poems embody a unique perspective, such as paying more attention to the theme of giving money to answer, the thought of feeling and feeling, the style of poetry, etc. It embodies the acceptance of du Fu's poems in the early Song Dynasty under the "White style" poetic style, which is dominated by the literary ministers of the pavilions and pavilions. In other words, the anthology of du's poems in Wenyuan Yinghua is the result of the poet's poetics in the early Song Dynasty. The introduction part explains the significance, research method and research value of this thesis, and combs the literary tendency of the editors of Wen Yuan Yinghua, and finds that their poetry creation is influenced by the style of "white style". The first part makes a brief summary of the circulation of du's poems before and after the writing of Wen Yuan Ying Hua, the purpose of which is to outline the basic situation of du's poems seen in the compilation of Wen Yuan Ying Hua. At the same time, it explains the basic situation of the selected poems of du in Wenyuan Yinghua, and finds that the selected poems of Wen Yuan Ying Hua have more space and a large proportion, which shows that they attach great importance to du's poems. In terms of genre, Wen Yuan Ying Hua includes du Fu's five ancient, seven ancient, five ancient, seven laws, seven laws and five rows, of which seven ancient accounts for the highest proportion, followed by five ancient, then five laws, and quatrains and seven rows are not included. The third part and the fourth part analyze and summarize the selected poems from theme, content, style and genre respectively, and find that their emphasis is on the subjects of interpersonal communication, such as gift, singing and so on. There is a tendency to emphasize the ancient and the present. Combined with the poetics theory and poetry creation of Li f and Xu Hyun, majors of Wenyuan Yinghua, this paper draws a conclusion that du Fu's acceptance in the early Song Dynasty was basically from the perspective of "white style" in the early Song Dynasty.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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