新时期（1977-1989）甘肃诗歌创作研究

发布时间：2018-04-25 12:11

本文选题：新时期 + 甘肃诗歌　；参考：《宁夏大学》2015年硕士论文

【摘要】：甘肃拥有悠久厚重的历史文化,自古以来从不缺乏创作家们对诗歌的热情实践,这片荒凉贫瘠的土地上孕育了丰硕的诗歌果实。随着思想解放和改革开放的进程,甘肃诗歌的发展进入了历史的新时期,迎来了继五、六十年代之后的第二个创作高潮期。从七十年代末到八十年代,日益宽松的政治文化背景为甘肃诗歌的复苏提供了良好的外在环境,厚重的地域文化积淀则成为催发甘肃诗歌成长的天然酵母。在各种诗歌浪潮跌宕起伏的新时期,甘肃诗人以积极自觉的创作姿态和让人称赞的创作成绩使甘肃诗歌成为西部文学中崛起的一块高地,在新时期初期的中国诗坛展现出别具一格的诗歌风貌。笔者选取新时期1977年至1989年这一时期甘肃诗歌创作作为研究对象,运用社会历史批评和文本细读批评相结合的研究方法,把甘肃诗歌创作置于中国当代新诗史和西部文学的背景之上,结合八十年代的文化语境,力图梳理甘肃诗歌在新时期复苏和发展的过程,并重点结合时代背景对文本作品进行细读分析,以定位新时期初期甘肃诗歌创作的价值与意义。本论文主体部分共分为三章：第一章主要论述在新时期思想解放运动的推动下甘肃诗歌的复苏过程,具体分析在“归来的歌”、“朦胧诗”和“大学生诗潮”等思潮的影响下甘肃诗歌创作所体现出的特征。第二章主要论述西部诗潮与甘肃诗歌的发展,分析甘肃诗人作为西部诗潮的重要力量是如何表现出鲜明的西部意识的。第三章是新时期甘肃诗人的个案研究,主要以何来、李老乡、林染、匡文留作为研究对象论述其诗歌创作的个性魅力。结语部分总结了新时期初期甘肃诗歌的创作成就与价值意义,并指出其局限性所在。
[Abstract]:Gansu has a long and rich history and culture. Since ancient times, it has never lacked the enthusiasm of the writers to practice poetry, and this desolate and barren land has given birth to the rich fruits of poetry. With the process of ideological emancipation and reform and opening up, the development of Gansu poetry entered a new historical period and ushered in the second creative high period after the fifties and sixties. From the late 1970s to the 1980s, the increasingly relaxed political and cultural background provided a good external environment for the revival of Gansu poetry, and the heavy accumulation of regional culture became the natural yeast to promote the growth of Gansu poetry. In the new period of various poetic waves, Gansu poets, with positive and conscious creative posture and praiseworthy achievements, made Gansu poetry a rising highland in western literature. In the early stage of the new era, the Chinese poetry world showed a unique style of poetry. The author chooses Gansu poetry creation from 1977 to 1989 in the new period as the research object, and uses the research method of combining social and historical criticism and textual criticism. Putting the creation of Gansu poetry on the background of Chinese contemporary new poetic history and western literature, and combining the cultural context of the eighties, this paper tries to sort out the process of the recovery and development of Gansu poetry in the new period. In order to locate the value and significance of Gansu poetry creation in the early stage of the new period, the text works are carefully read and analyzed in combination with the background of the times. The main part of this thesis is divided into three chapters: the first chapter mainly discusses the process of resuscitation of Gansu poetry under the impetus of the ideological liberation movement in the new period, and analyzes concretely in the song of return. Under the influence of the trend of thought, such as "obscure poem" and "the tide of college students' poetry", the characteristics of Gansu's poetry creation are reflected. The second chapter mainly discusses the development of the western poetry tide and Gansu poetry, and analyzes how Gansu poets, as an important force of the western poetry tide, show a bright western consciousness. The third chapter is a case study of Gansu poets in the new period. The conclusion summarizes the creation achievement and value significance of Gansu poetry in the early stage of the new period, and points out its limitation.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.25

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