抗战时期老舍对传统“忠”观念的改造利用--以京剧为媒介

发布时间：2018-04-26 06:11

  本文选题：老舍 + 传统京剧　； 参考：以京剧为媒介

【摘要】：以传统京剧尤其是忠君剧目为媒介,抗战时期老舍将传统忠君思想转化为忠于国家和民族的战时观念,赋予了"忠"观念以现代性的"认同"含义。他以新京剧等通俗文艺形式热情讴歌民众不惜牺牲性命保家卫国的忠诚英勇,还借取京剧脸谱的类型化人物表现方法,系统地塑造出出卖国族的"不忠者"群像,不遗余力地进行讽刺、鞭挞,体现出作家对战争时期各色灵魂的深层关注,也更直观地传达了对熟烂社会文化的深远忧思。
[Abstract]:Taking the traditional Peking Opera, especially the opera repertoire of loyal monarch as the medium, Lao She transformed the traditional idea of loyal monarch into the wartime concept of loyalty to the country and nation during the Anti-Japanese War, and endowed the concept of loyalty with the modern meaning of "identity". He enthusiastically eulogized the loyalty and bravery of the people at the expense of their lives in popular literary forms such as New Beijing Opera. He also took advantage of the typology of Peking Opera's facial makeup to systematically portray the "unfaithful" group images of the betraying nation. Spare no effort to satirize, whip, reflect the writer's deep concern for the various souls during the war, but also more intuitively convey the profound concern for the familiar and rotten social culture.
【作者单位】： 河南大学文学院;
【基金】：作者参与的河南省高校哲学社会科学创新团队项目“哲学与二十世纪中国文学思潮”(2016-CXTD-03)的阶段性成果
【分类号】：I206.6
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本文编号：1804817