新感觉派之“新”与存在主义之“本”

发布时间：2018-04-29 09:08

本文选题：新感觉派 + 存在主义　；参考：《学术界》2016年09期

【摘要】：新感觉派小说是存在主义思潮下的先锋性创作。这首先缘于"存在"即"感觉"的艺术理念,"感觉"因而被置于创作本体论地位。其次,其感觉化叙事关涉到存在主义"艺术生理学",作家们描写人的身体、运动和各种感官与人造的大都市之间的内在关系,在身体叙事中发掘现代人生存的可能性和灵魂的困境。再次,新感觉派之"新"与五四"新浪漫主义"之"新"异曲同工,两者都吸取了存在主义的非理性主义因质,不同的是,"新浪漫主义"只停留非自觉状态的单个作家层面,新感觉派却以"类"的方式完成了前者的价值预设。最后,新感觉派的重要影响之源是日本新感觉派,对两者进行对比可发现,前者的感觉化叙事趋于西方化质素,后者更偏向民族化传统。
[Abstract]:The novel of Neo-sensationalism is a pioneering creation under the existentialism trend of thought. This is mainly due to the artistic idea of being or feeling, so feeling is placed in the position of creative ontology. Secondly, its sensational narration involves existentialist "art physiology", in which writers describe the inner relationship between the human body, movement and various senses and the man-made metropolis, Explore the possibility of modern existence and the plight of soul in body narration. Thirdly, the "new" of the New sensationalism and the "New" of the "New Romanticism" of the May fourth Movement are the same. Both of them have absorbed the non-rationalism of existentialism, but the difference is that the "Neo-Romanticism" only stays at the level of individual writers in an unconscious state. The neo-sensualism, however, completes the value presupposition of the former in the way of "class". Finally, the important influence of neo-sensualism is Japanese neo-sensualism. The comparison of the two shows that the former's sensational narration tends to westernized quality, and the latter tends to nationalize tradition.
【作者单位】：湖南师范大学文学院;
【基金】：湖南省哲学社会科学评审委员会重点课题“20世纪中国存在主义文学史论”(批准号:10112462)研究成果
【分类号】：I207.42

【相似文献】