陈钟凡与《中国文学批评史》的肇始

发布时间：2018-04-29 22:08

本文选题：陈钟凡 + 《中国文学批评史》　；参考：《山西大学》2017年硕士论文

【摘要】：二十世纪以来,中国社会发生了翻天覆地的变化,特别是在“五四”新文化运动的裹挟下,西方的学术理念和治学方法蜂拥而入,中国学术走上了传统向现代的转型之路。陈钟凡《中国文学批评史》正是在这一文化生态中孕育而生的。该书通过借镜西方学术建构起文学批评史的学理逻辑,并以此来统摄传统“诗文评”材料,完成了对中国古代自孔子到章太炎以来两千多年文学批评的历史叙述,初步搭建起中国文学批评史的框架。在回顾百年文学批评史研究的今天,对陈著的肇始意义与局限性进行再审视,便显得十分必要。陈著作为开启中国文学批评史撰述的发轫之作,自有其筚路蓝缕的开山之功,本论文拟分四个章节来对这一问题进行探讨:第一章,回到原初文化语境,以“诗文评”向“文学批评”的现代转型为切入点,结合陈钟凡由经史研究转向文学研究的治学经历,将其置于20世纪初“整理国故”运动的大文化语境中,探究其得以肇始的原因;第二章,主要是在中西融合的大视域下,探讨陈钟凡对文学观念、文学批评理念、文学批评史观的全新建构,并呈现出鲜明的史纲结构;第三章,具体到陈钟凡对历代文学批评的梳考与阐释,分别从先秦重伦理的文艺观、汉代史论中的诗文论、魏晋文论的自觉及特殊意义、唐宋诗歌中的诗学观、宋元明清词曲论的掘发等五方面探讨;第四章,主要从中国文学批评史发展的宏观角度出发,通过与早期批评史著作的对比,寻绎出陈著对后世批评史研究的影响价值。最后,本文在结语中回溯陈著在近现代之交学术研究中的独特地位,进一步探讨其对当代中国文学理论批评建设的价值意义。
[Abstract]:Since the 20th century, the Chinese society has undergone earth-shaking changes, especially under the influence of the May 4th New Culture Movement, the western academic ideas and academic methods have flocked in, and the Chinese academic has embarked on the road of transformation from tradition to modern. Chen Zhongfan's History of Chinese Literary criticism was conceived in this cultural ecology. The book constructs the theoretical logic of the history of literary criticism by drawing on the western academic model, and thus dominates the traditional "review of poetry", and completes the historical narration of literary criticism in ancient China for more than two thousand years from Confucius to Zhang Taiyan. Build the framework of the history of Chinese literary criticism. In reviewing the history of literary criticism for one hundred years, it is necessary to re-examine the original significance and limitation of Chen's works. Chen's works, as the beginning of the history of Chinese literary criticism, have their own pioneering work. This paper is divided into four chapters to discuss this problem: chapter one, returning to the original cultural context, Based on the modern transition from "criticism of Poetry" to "Literary criticism", and combining Chen Zhongfan's academic experience from the study of classics and history to the study of literature, it is placed in the great cultural context of the movement of "sorting out the national heritage" at the beginning of the 20th century. The second chapter, mainly from the perspective of the integration of China and the West, discusses Chen Zhongfan's new construction of literary concepts, literary criticism ideas, and literary critical historical views, and presents a distinct historical structure. Specific to Chen Zhongfan's textual examination and interpretation of literary criticism in the past dynasties, respectively from the view of literature and art emphasizing ethics in the pre-Qin Dynasty, the poetic and literary theory in the historical theory of the Han Dynasty, the consciousness and special significance of the literary theory of Wei and Jin dynasties, and the poetics view in the poetry of Tang and Song dynasties, respectively. The fourth chapter, from the macroscopic angle of the development of the history of Chinese literary criticism, through the comparison with the early works of critical history, finds out the value of Chen's influence on the study of the history of criticism in later generations. Finally, in the conclusion, this paper reviews Chen's unique position in the academic research at the turn of modern times, and further discusses its value significance to the construction of contemporary Chinese literary theory criticism.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.09

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