“左右博弈”:国民党文艺政策与现代长篇小说的传播接受——以1928—1937年为中心

发布时间：2018-05-01 01:24

本文选题：左翼 + 右翼　；参考：《西北大学学报(哲学社会科学版)》2017年01期

【摘要】：在1928—1937年间"左右博弈"的文学生态结构中,现代长篇小说是左右翼文学群体争夺的重点体裁。由于左翼文学群体处于官方的对立面,契合了新文学读者群,应和了新文学的先锋精神和批判权力,而上海新书业的繁荣为实现左翼文学群体内部有效的推介和提携提供了平台,使左翼长篇小说在十年间皆保持着较强的传播效果和较大的影响力。相反,右翼文学群体的官方色彩使其疏离了新文学潜在的读者群,创作的单薄和理论的虚无以及文学群体内部组织的涣散与重理论阐发轻文学评论的倾向,使其无论在长篇小说的创作还是传播接受的博弈中,都完全处于下风。不均衡的博弈结构使长篇小说的接受偏至多于新拓,攻伐多于交流,立场决定观念,"误读"成为常态,既未能实现长篇小说文本意义潜势的多元打开,也在客观上狭隘化了长篇小说的传播接受,令人深感遗憾。
[Abstract]:In the literary ecological structure of "left and right Game" from 1928 to 1937, modern novels were the key genre of literature groups on the left and right wing. Because the left-wing literature group is on the opposite side of the government, it fits the new literature reader group and responds to the pioneering spirit and critical power of the new literature. The prosperity of Shanghai's new book industry provides a platform for the effective promotion and promotion within the left-wing literature group, and makes the left-wing novels maintain a strong communication effect and great influence in the past ten years. On the contrary, the official color of the right-wing literary group alienates it from the potential readership of the new literature, the thinness of creation and the nihility of the theory, and the tendency of the internal organization of the literary group to lay stress on theoretical analysis and literary criticism. Both in the creation of the novel or in the spread of the game of acceptance, are completely in the wind. Because of the unbalanced game structure, the acceptance of the novel is more than that of the new extension, the attack is more than the exchange, the standpoint determines the concept, "misreading" becomes the normal state, and it can not realize the multiple opening of the meaning potential of the novel text. It also objectively narrow the dissemination and acceptance of the novel, which is deeply regrettable.
【作者单位】：四川大学文学与新闻学院;
【基金】：2012年度教育部人文社会科学研究规划基金项目(12YJA751003)
【分类号】：I207.425

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