论莫言小说的动物修辞

发布时间：2018-05-04 07:20

本文选题：莫言小说 + 争鸣　；参考：《中国政法大学学报》2017年06期

【摘要】：莫言荣获诺贝尔文学奖之后,国内外对莫言都有激烈的批评。李建军是最激烈的批评者之一。本期笔谈中张志忠的文章就李建军对莫言作品的批评进行了概括并做出了较为深入的反批评。张文认为李文中存在自相矛盾的破绽,而李文所提出的文化领域中的"阴谋论"更缺乏充分正当的理据,因而是荒谬的,并且还表露了部分国人心理中依然存在着狭隘的"怨恨心态"。张文还从正面阐述了莫言作品讲述中国故事和农民英雄传奇的积极意义,并认为在全球化语境下,我们应以坦然和开放的心态与世界展开建设性的对话交流。而郭宏雷的文章则抓住了莫言小说中独特但也容易造成读者意见分歧的另一个特色,即大量的动物修辞运用。作者认为莫言是当代写动物最多的小说家,而动物与人之间的关系,构成了莫言小说人性探究的深层背景。在莫言小说中,动物是常规性修辞载体,也是独特的话语符号和修辞认知的手段。在继承古典审美传统、接受外来影响的基础上,莫言不断探索创新,极大丰富了小说中动物的修辞功能。动物形象的大量涌现,动物感觉、动物意识、动物思维的全面渗透,使莫言小说在语言、结构和文体方面形成了极为特殊的修辞风貌和美学品质。本期笔谈希望引起当代文学研究领域的其他学者注意,并期待学者就相关问题发出自己的不同声音。
[Abstract]:After Mo Yan was awarded the Nobel Prize for Literature, there was fierce criticism of Mo Yan at home and abroad. Li Jianjun is one of the fiercest critics. Zhang Zhizhong's article generalizes Li Jianjun's criticism of Mo Yan's works in this period. Zhang Wen believes that there are contradictory flaws in Li Wen, and the "conspiracy theory" in the cultural field put forward by Li Wen is even less justified and therefore absurd. And also revealed that some Chinese psychology still exists in the narrow "resentment mentality." Zhang Wen also positively expounded the positive significance of Mo Yan's works in telling Chinese stories and peasant heroic legends, and held that in the context of globalization, we should have a constructive dialogue and exchange with the world with an open and open mind. Guo Honglei's article captures another characteristic of Mo Yan's novel which is unique but easy to cause readers to disagree, that is, the extensive use of animal rhetoric. The author thinks that Mo Yan is the novelist who writes most about animals, and the relationship between animals and human beings constitutes the deep background of the exploration of human nature in Mo Yan's novels. In Mo Yan's novels, animals are conventional rhetorical carriers and unique means of speech symbols and rhetorical cognition. On the basis of inheriting the classical aesthetic tradition and accepting the external influence, Mo Yan continuously explored and innovated, which greatly enriched the rhetorical function of animals in the novel. With the emergence of animal images, the comprehensive penetration of animal senses, animal consciousness and animal thinking, Mo Yan's novels have formed a very special rhetorical style and aesthetic quality in terms of language, structure and style. This issue hopes to attract the attention of other scholars in the field of contemporary literature, and expects scholars to make their own different voices on related issues.
【作者单位】：福建师范大学文学院;福建师范大学福建省社科研究基地中华文学传承发展研究中心;
【基金】：国家社科基金项目“莫言小说修辞研究”(16BZW153)的阶段性成果
【分类号】：I207.42

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