中国当代灾难文学症候分析

发布时间：2018-05-05 00:47

  本文选题：灾难 + 灾难意识　； 参考：《湘潭大学学报(哲学社会科学版)》2017年02期

【摘要】：当代灾难文学内涵缺乏认同、创作力不足使得这一题材一直难以达到更高的艺术层面。灾难书写存在瓶颈,需要我们对与之相关的灾难以及灾难意识重新定位,也需要我们从情感的、伦理的以及人性的层面进一步挖掘这一题材的审美意蕴,有所艺术突破。同时,一个民族的写作方向离不开本民族特有的文化心理认同,鉴于我们民族表现出的“乐天知命”、“随遇而安”的文化心理特征,灾难文学的“创伤书写”,则可以对这一题材如何实现艺术突破生发出一些建议与思考。
[Abstract]:The connotation of contemporary disaster literature lacks identity and creativity makes it difficult for this subject to reach a higher artistic level. There is a bottleneck in disaster writing, which requires us to reposition the disaster and disaster consciousness, and to further explore the aesthetic meaning of this subject from the emotional, ethical and human aspects, and to make an artistic breakthrough. At the same time, the writing direction of a nation can not be separated from the unique cultural psychological identity of its own nation. In view of the cultural psychological characteristics of "happy heaven and knowing destiny" and "making peace when the situation arises", and the "writing of trauma" in disaster literature, the writing direction of a nation can not be separated from the unique cultural psychology of its own. Then we can give some suggestions and thoughts on how to achieve the artistic breakthrough.
【作者单位】： 武汉工程大学外语学院;湖北科技学院;
【分类号】：I206;;I0-02
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本文编号：1845457