王思任游记小品文研究

发布时间：2018-05-11 00:17

本文选题：王思任 + 游记小品文　；参考：《山东师范大学》2015年硕士论文

【摘要】：明中后期，，伴随着资本主义的萌芽、商品经济的发展，文人对外出游玩的兴致愈加浓厚。于是，一大批游记作家如雨后春笋般涌现出来，公安派的袁宏道、竟陵派的钟惺、以及小品文的集大成者张岱，都是这个时期的代表人物，本文的研究对象王思任，也是其中不可或缺的游记圣手。王思任一生仕途偃蹇，政事之余，他便将身心投入到祖国的大好河山中，足迹遍布大江南北。他对山水的痴迷程度，与其他热爱山水的文人相比，毫不逊色。在出游途中，王思任写下了许多脍炙人口的游记作品，其作品反映了王思任独具匠心的语言风格和审美趣味，字里行间还体现了他对于旅游的认识以及独特的山水文化观念。王思任的游记小品文，对当时的文坛，产生了不可忽视的影响。本人以王思任的游记小品文为研究对象，分别从以下四个方面展开论述：引言部分主要是对王思任的相关研究进行综述，简要介绍了王思任在晚明文坛的影响和在清朝销声匿迹的原因，以及二十世纪初新文化运动兴起时对他的关注。这部分的重点是建国之后对王思任的研究，主要包括对其生平、文学思想、小品文、诗歌和戏剧观的研究情况以及本文在此基础之上的研究空间。第一章主要介绍晚明游记小品文的发展背景，将王思任的游记小品文置于古代散文的发展脉络中进行整体的源与流的分析。本章主要包括三节，一是晚明的社会概况，分别从政治、经济、思想三方面进行阐述；二是介绍晚明社会的旅游风气和士人的好游心态，在大环境的影响下，王思任顺应当时社会风气的潮流，热爱出游；三是古代游记的发展脉络，分为明代之前的游记发展与明代游记发展两部分，重点介绍晚明游记小品文的发展。第二章是主要介绍王思任的旅游观念及山水文化态度，一是对旅游的认识，包括旅游的本质和旅游类型的分类，论述了王思任在出游途中体现出的以探险为乐的冒险精神，注重景观自然性与人文性的和谐统一。本章的最后，论述了王思任好“雅游”、“自适”的山水态度。第三章是王思任游记小品文的内容。按其游览景致的性质不同，本章分为了山水记、人文记和主题游记三部分。第四章是王思任游记小品文的创作渊源以及其作品审美趣味的赏析。本章是全文的重点章节，其作品创作主要受《世说新语》以及徐渭的影响，两者一个带来“清”，一个带来“谑”；对王思任作品进行审美趣味的赏析时，主要是从两方面进行，一是意境之美，一是语言之美。第五章论述王思任游记小品文的影响，一是对晚明小品文的集大成者张岱的影响，主要体现在“谐”、“趣”、“俗”三个方面；二是对文坛的影响，一方面是对晚明文坛的影响，另一方面是对近代新文化运动的意义。最后的结语在对全文进行总结的基础上，提出了研究王思任游记小品的意义和价值。
[Abstract]:In the middle and late Ming Dynasty, with the budding of capitalism and the development of commodity economy, scholars became more and more interested in going out and playing. As a result, a large number of travel writers sprang up like bamboo shoots. Yuan Hongdao of the Public Security School, Zhong Xing of the Jingling School, and Zhang Dai, the masterpiece of the essay, were all representatives of this period. Wang Siren, the object of this paper, Also is one of the indispensable travels of the holy hand. Wang Siren spent his life in politics, he put his mind and body into the great rivers and mountains of the motherland, with footprints all over the river and south. His obsession with mountains and rivers, compared with other people who love mountains and rivers. On the way out, Wang Siren wrote many famous travel works, which reflected Wang Siren's original language style and aesthetic taste, and also reflected his understanding of tourism and unique landscape culture. Wang Siren's travel essays had an unnegligible influence on the literary world at that time. I take Wang Siren's travel essays as the object of study, and discuss them from the following four aspects: The introduction summarizes Wang Siren's research, briefly introduces the influence of Wang Siren in the literary world of the late Ming Dynasty and the reasons for his disappearance in the Qing Dynasty, as well as the attention paid to Wang Siren when the new cultural movement rose in the early 20th century. This part focuses on the study of Wang Siren after the founding of the people's Republic of China, including his life, literary thoughts, essays, poetry and drama, as well as the research space of this paper. The first chapter mainly introduces the development background of travel essays in the late Ming Dynasty, and puts Wang Siren's travel essays into the development context of ancient prose to analyze the source and flow of the whole. This chapter mainly includes three sections: first, the social situation of the late Ming Dynasty, respectively, from the political, economic, and ideological aspects; second, it introduces the tourism ethos of the late Ming society and the good traveling mentality of the scholars, under the influence of the great environment. Wang Siren followed the trend of social atmosphere at that time and loved traveling; third, the development of ancient travel notes was divided into two parts: the development of travel notes before Ming Dynasty and the development of travel notes of Ming Dynasty, with emphasis on the development of essays on travel notes in late Ming Dynasty. The second chapter mainly introduces Wang Siren's concept of tourism and the attitude of landscape culture. One is the understanding of tourism, including the nature of tourism and the classification of tourism types, and discusses Wang Siren's adventurous spirit of adventure on his way out. Pay attention to the harmony and unity of landscape naturalness and humanism. At the end of this chapter, the author discusses Wang Siren's attitude of "Ya you" and "self-adaptation". The third chapter is the content of Wang Siren's travel essays. According to the nature of the scenery, this chapter is divided into three parts: landscape, Humanities and theme Journey. The fourth chapter is the origin of Wang Siren's travel essays and the appreciation of his aesthetic taste. This chapter is the key chapter of the full text. The creation of his works is mainly influenced by "Shi Shuo Xin Yu" and Xu Wei. Both of them bring "Qing" and "banter", while appreciating Wang Siren's works of aesthetic taste, Mainly from two aspects, one is the beauty of artistic conception, the other is the beauty of language. The fifth chapter discusses the influence of Wang Siren's essays on his travels. One is the influence on Zhang Dai, the masterpiece of the essays of the late Ming Dynasty, which is mainly reflected in three aspects: "harmony", "interest" and "vulgarity", and the second is the influence on the literary world. On the one hand, the influence on the literary world in the late Ming Dynasty, on the other hand, the significance of the modern new cultural movement. On the basis of summing up the full text, the last conclusion puts forward the significance and value of studying Wang Siren's travel essays.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.62

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