汉赋中的女性形象

发布时间：2018-05-13 05:22

本文选题：汉赋 + 女性形象　；参考：《宁夏大学》2017年硕士论文

【摘要】：女性形象是汉赋人物图谱的一个重要组成部分,这些女性形象的出现同时也丰富了汉赋内在的审美意蕴。汉赋对于女性形象的描写独具特色,既继承了前代文学中对女性描摹的模式,又运用汉赋大全深细的铺陈方式,用赋体的语言结构来描摹女性之美。正是由于汉赋中女性形象是构成汉赋独特审美意蕴的有机组成要素犹如明珠般闪耀,因此,解构汉赋中女性形象之美并进而全面深刻认知汉赋整体审美特征,也就成为本文的研究关注点。我们对汉赋中女性人物形象的探究包括以下四个部分:第一章论述汉赋中的女性形象的分类构成与其产生的社会基础。汉赋中出现的女性形象大致可以分成宫闱女子、舞女、寡妇、弃妇等七类女性形象。汉赋中这些女性形象的出现与汉代时期社会的繁荣背景密不可分,在这样的时代背景下,汉人积极用世的心态使得他们的创作兼具颂世与讽谏的特色,而汉代歌舞宴会盛行,女性作为其中不可缺少的娱乐因素而成为汉代文人关注的对象。第二章探讨汉赋中女性形象的特点与创作的艺术手法。汉赋中的女性形象大部分都外貌完美,具有类型化的形象特征。汉代文人在对女性进行描摹的时候都采用了一些独特的艺术手法。或虚实相间,或微观细节全方位的刻画,追求描写上的面面俱到,体现在语言上反复铺陈渲染、韵散相间等特点。这些手法使得汉赋中的女性形象更加丰满而突出。第三章主要探讨汉赋作家对女性的审美心态。从两汉辞赋看来,两汉赋家对女性形象的审美是不尽相同的,主要体现在对于自然美与修饰美的审美差异上,但是这种差异却都表现出赋家将女性物化的审美倾向。再次,通过分析两汉两性赋家的作品,将其进行比较我们能够看出其中体现出的明显的性别差异。另外,纵观两汉关于女性的辞赋作品,赋作中对女性的态度也体现出由贬抑到褒扬的明显变化,而这种变化与两汉儒家思想的盛行与式微是有一定的联系的。第四章论述汉赋中女性形象的文学史意义。汉赋中对女性形象的描写无疑是丰富了我国古代文学中的人物形象,同时也是用韵散相间的赋体语言塑造人物形象的成功尝试。而这一切的成就,都深刻地影响了我国后世学诗词小说等文学。汉赋中对于女性形象的刻画与描摹,给后世诗词小说中描写女性人物以深刻的启示。
[Abstract]:Female image is an important part of the figure map of Han Fu. The appearance of these female images also enriches the inherent aesthetic implication of Han Fu. The depiction of female image in Han Fu has its own characteristics. It not only inherits the model of depicting women in the previous literature, but also describes the beauty of women with the language structure of Fu. It is precisely because the female image in the Han Fu is an organic element which constitutes the unique aesthetic implication of the Han Fu, it shines like a pearl. Therefore, the beauty of the female image in the Han Fu is deconstructed and the overall aesthetic characteristics of the Han Fu are fully and profoundly recognized. It has become the research focus of this paper. Our research on female characters in Han Fu includes the following four parts: the first chapter discusses the composition and social basis of the classification of female characters in Han Fu. The images of women in Han Fu can be divided into seven types: women in palace chamber, dancers, widows, abandoned women and so on. The appearance of these female images in the Han Fu is closely related to the prosperous background of the society in the Han Dynasty. Under this background, the Han people actively use the world mentality to make their creation have the characteristics of eulogizing the world and satirizing the remonstrance, while the singing and dancing banquets are popular in the Han Dynasty. As an indispensable entertainment factor, women became the object of attention of the scholars in the Han Dynasty. The second chapter discusses the characteristics of female images and artistic techniques in Han Fu. Most of the female images in Han Fu are perfect in appearance and have type image characteristics. The literati of the Han Dynasty used some unique artistic techniques to describe women. Or the empty reality, or micro-detail all-round depiction, the pursuit of all aspects of the description, reflected in the language of repeated rendering, rhyme scattered and other characteristics. These techniques make the female image of Han Fu more full and prominent. The third chapter mainly discusses the aesthetic mentality of Han Fu writers to women. From the perspective of the ci Fu of the Han Dynasty, the aesthetic appreciation of the female image of the two Han Fu writers is different, mainly reflected in the aesthetic difference between the natural beauty and the modified beauty, but this difference shows the aesthetic tendency of the Fu writers to materialize the female. Thirdly, by analyzing the works of both sexes in Han Dynasty, we can see the obvious gender difference. In addition, throughout the Han Dynasty on women's ci Fu works, Fu's attitude towards women also reflects a marked change from derogatory to praise, and this change is related to the prevalence and decline of Confucianism in the Han Dynasty. The fourth chapter discusses the literary significance of female image in Han Fu. The description of female images in Han Fu is undoubtedly a successful attempt to portray characters in ancient Chinese literature. All these achievements have deeply influenced Chinese literature such as poetry and fiction. The depiction and portrayal of female images in Han Fu gives a profound enlightenment to the depiction of female characters in poetry novels of later generations.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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