1949年前后《白毛女》的接受传播研究

发布时间：2018-05-13 06:00

本文选题：《白毛女》 + 接受研究　；参考：《陕西师范大学》2015年硕士论文

【摘要】：在20世纪40年代初,毛泽东发表了《在延安文艺座谈会上的讲话》,这不仅对延安文艺运动产生了重要的影响,而且为延安时期的文艺创作提供了指导方向。在整个延安文艺戏剧运动中,《白毛女》则代表了边区戏剧创作的最高成就,也占据了当时延安文艺戏剧作品传播的中心,引起了巨大的社会效应和政治效应。1949年是中国社会的重要转型期,建国前后文艺政策的变化对《白毛女》的接受和传播情况也有相应的影响。读者、观众是接受者,同时也是文学传播过程中的受众,没有受众积极参与的文学创作文本,也是没有价值和意义的。故本文选择1949年前后为时间点,从文学接受和文学传播的角度切入,从1949年前后《白毛女》的历时性发展中(如歌剧、工农兵电影、日本改编的芭蕾舞剧)来梳理不同空间(国内、国外)的接受情况和传播轨迹。论文的第一章主要论述《白毛女》在延安文艺戏剧运动背景下,政治话语如何发掘了“民间故事”的内涵,从而进行《白毛女》最初的创作与排演：第二章以不同的接受主体为对象,如文艺界、批评家、普通读者等,来重点讨论1949年前后新歌剧《白毛女》的接受情况以及在国内上演的传播效果；第三章整理建国初电影《白毛女》在国内外的上演反响,以及日方根据电影《白毛女》改编的芭蕾舞剧在日本、中国的受众评价,同时,选取了新歌剧《白毛女》在东欧部分国家进行巡演时受众的反应评价作一整理。结语部分从史的角度对论文作了简略总结,并对“红色经典”作品在当下重塑的意义进行了思考。
[Abstract]:In the early 1940s, Mao Zedong published the speech at the Yan'an Literature and Art Symposium, which not only had an important impact on the Yan'an literary and artistic movement, but also provided a guiding direction for the literary and artistic creation in the Yan'an period. In the whole Yanan literary and artistic drama movement, "Bai Mao Nu" represented the highest achievement of drama creation in the Border region and occupied the center of the dissemination of Yan'an 's literary and artistic drama works at that time. 1949 was an important transition period of Chinese society, and the changes of literature and art policy before and after the founding of the people's Republic of China had a corresponding influence on the acceptance and dissemination of White hair Girl. Readers, audience is not only the recipient, but also the audience in the process of literary communication, without the active participation of the audience in the literary creation text, is also of no value and significance. Therefore, this paper chooses 1949 as the time point, from the perspective of literary acceptance and literary dissemination, from the historical development of "White hair Girl" before and after 1949 (such as opera, movies of workers, peasants and soldiers). Japanese adaptation of the ballet) to sort out different space (domestic, foreign) acceptance and transmission trajectory. The first chapter mainly discusses how the political discourse excavates the connotation of "folk story" under the background of Yan'an literary drama movement. The second chapter focuses on different subjects of acceptance, such as literary and art circles, critics, ordinary readers, and so on. It focuses on the reception of the new opera "White-haired" before and after 1949 and its spreading effect at home. Chapter III deals with the repercussions of the film "White-haired" staged at home and abroad in the early days of the people's Republic of China. And the audience evaluation of ballet adapted from the film "Whitehaired Girl" in Japan and China. At the same time, the audience reaction evaluation of the new opera "Whitehaired Girl" in some countries of Eastern Europe is sorted out. The conclusion summarizes the thesis from the historical point of view, and thinks about the significance of the remolding of the Red Classic in the present.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.3

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