论“三驾马车”戏曲创作的主题意蕴与艺术特色

发布时间：2018-05-17 14:05

本文选题：“三驾马车” + 戏曲创作　；参考：《山东艺术学院》2017年硕士论文

【摘要】：近年来,随着传统文化传播的升温,戏曲市场开始呈现出回暖的趋势,戏曲剧本逐年增多。但与此同时,优秀的戏曲剧本依旧匮乏。而自上世纪90年代,编剧市场就开始出现萧条的景象,剧本创作开始滑坡,编剧的从业者开始慢慢减少。这些都与青年人才的不足不无关系,即使是戏文专业毕业的学生,也只有少数从事编剧的行业。相比较数量庞大的演员队伍来说,编剧的存活率较低。而编剧的匮乏也导致了对当代剧作家研究的缺失,这也是当代戏曲理论发展失衡的原因之一。上世纪80年代,是中国剧作的黄金时期。1987年,《半月谈》杂志选出九位《中国人物·当代编剧》,并将郑怀兴、魏明伦、郭启宏并称为“戏曲界三驾马车”。以“三驾马车”为首的新时期剧作家在作品创作上对当代意识进行了积极而又自觉的追求,这使得这一时期的新编历史剧取得了前所未有的成就。同时这三位剧作家凭借着对生活、对人生、对历史的独特感悟,以特殊的视角选择创作题材,在情感塑造、语言运用等方面充分体现出个人的创作风格,使作品中渗透着对人性命运的探索、对现实的反思。本文旨在选取这三位优秀剧作家的作品进行分析研究,对其所生活的地理人文环境进行考察,对其创作风格进行总结概括,同时从剧作的主题意蕴、人物形象、情节结构等方面进行分析,来论述三位剧作家在创作中对人性及现实的反思,并对其作品中的艺术特色进行探索。文章力求做到将“三驾马车”创作的艺术特色与美学原理做理论对接,同时研究三位剧作家作品中共同具有的时代内涵,揭示其创作中深层次的意蕴,并试图对其进行客观准确的评价,为今后戏曲编剧的研究提供有益借鉴。
[Abstract]:In recent years, with the spread of traditional culture, the drama market began to warm up and the drama script increased year by year. But at the same time, the excellent Opera plays were still scarce. Since the 90s of last century, the writers' market began to appear slump, script writing began to decline, and the writers began to slow down. It is all related to the shortage of young people. Even the students who have graduated from the opera are only a few of the writers engaged in the dramatists. In comparison with the large number of actors, the survival rate of the writers is low. And the lack of the writers has also led to the lack of research on contemporary dramatists, which is also the reason for the unbalanced development of contemporary opera theory. First of last century, in the 80s of last century, the golden period of the Chinese drama.1987, the magazine selected nine Chinese characters, contemporary writers, and Zheng Huaixing, Wei Minglun, Guo Qihong, and called "the three carriages of the opera world". The writers of the new period, headed by the "three carriages", were active and conscious of the contemporary consciousness in his writing. At the same time, the three dramatists, by virtue of their life, the unique perception of life, the history, the choice of the creative themes in a special perspective, the emotional creation and the use of language, are fully embodied in the individual's creative style, so that the works are permeated with human nature. The purpose of this article is to analyze and study the works of the three outstanding dramatists, to investigate the geographical and humanistic environment in which they live, to sum up their creative style, and to analyze the theme, character and plot structure of the dramas, to discuss the creation of the three playwrights. To reflect on human nature and reality, and to explore the artistic features of his works. The article strives to do the theory of the artistic features and aesthetic principles of the "three carriages", and to study the connotations of the times in the works of the three dramatists, to reveal the deep meaning in the creation and to try to make it objective. Accurate evaluation will provide a useful reference for the study of opera dramas in the future.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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