东晋南朝山水记的文学转向及其地位和影响

发布时间：2018-05-22 09:38

本文选题：山水记 + 东晋南朝　；参考：《云南师范大学学报(哲学社会科学版)》2017年04期

【摘要】：东晋南朝山水记从地记中脱胎而来,其发展大致经历了州郡记-区域性山水记-单篇山水记三个阶段。山水记的发展过程中,其文本形态经历了从偏重征实性的地学散文到偏重艺术性的文学散文的转向。释慧远《游庐山记》开辟了山水记以游踪为主线写山水的新模式;谢灵运等人的山水记首开山水记中用"序"的先例;释慧远及其周围僧团创作的《庐山记》系列作品,又开山水游记"同题共作"的先河。东晋南朝山水记已经具备了游记文学的常见文体要素,并对后代山水游记产生了重要影响。东晋南朝山水记可视为中国古代游记文学的开端,是游记文学发展史上的重要一环。
[Abstract]:East Jin and Southern dynasties landscape records from the ground records from the birth, its development has roughly experienced the state county notes-regional landscape notes-single landscape notes three stages. In the course of the development of landscape records, its text form has experienced the turn from the geo-prose with emphasis on realistic nature to the literary prose with emphasis on artistry. Shi Huiyuan's A Journey to Lushan Mountain opens up a new model of landscape writing with a trace of the landscape as the main line; Xie Lingyun et al.'s landscape record first opens the landscape with a precedent of "preface"; and Shi Huiyuan and his surrounding monks create a series of works called 'Lushan Records'. Also opened the landscape travel, "together with the subject of the first." The landscape notes of the Eastern Jin and Southern dynasties have already possessed the common stylistic elements of the travelogue literature, and have had an important influence on the later generations. The landscape notes of the Eastern Jin and Southern dynasties can be regarded as the beginning of Chinese ancient travel literature and an important link in the history of travel history.
【作者单位】：山东大学文学院;
【基金】：国家社科基金项目“魏晋南北朝私撰史籍与文学之关系及其影响研究”(13BZW056)阶段性成果
【分类号】：I207.62

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