宋诗话中“言外之意”研究

发布时间：2018-05-22 20:44

本文选题：宋诗话 + 言外之意　；参考：《宁夏大学》2016年硕士论文

【摘要】：文人对“言外之意”的追求自古有之。但直到宋代,“言外之意”才作为诗学术语得以确立成型。本文以何文焕主编的《历代诗话》及丁福保主编的《历代诗话续编》中的宋诗话为研究文本,对有关“言外之意”的理论进行梳理,从中窥探出这些理论对文人诗歌创作的指导意义以及对宋诗内敛自省特征形成的促成意义。为了更好地解读“言外之意”,笔者借鉴王龙的《从水中之珠到水中之月——“言外之意”在诗学中的嬗变》一文中对“言外之意”的解释,将其理解为“言外之意义”与“言外之意味”。前者为诗人在诗歌创作过程中通过用典、练字等修辞手法使诗歌具有的多重意义。后者为基于诗歌语言而表现出来的诗歌风格,也就是人们经常说的“味”。本文主要围绕这两种理解展开研究：第一部分为本论文的引言,主要介绍了宋诗话中“言外之意”的研究意义、研究现状、主要研究方法,以及对“言外之意义”与“言外之意味”两个概念的界定。第二部分是本论文的正文部分,第一章主要论述了“言外之意”在宋诗话中的确立成型。首先对宋代以前有关“言外之意”的理论进行了梳理。其次对“言外之意”作为诗学术语得以在宋代确立成型的原因进行分析,以期更深入地研究“言外之意”。第二章主要是对宋诗话中关于诗歌“言外之意义”审美追求的论述。首先阐明了宋诗话对文人的诗歌创作指导,这种指导多体现在文人对“言外之意义”的追求上。其次将宋诗当中的“无题”诗作为宋诗话对“言外之意义”追求的创作实践进行分析。第三章主要是对宋诗话中关于诗歌“言外之意味”审美追求的论述。首先对宋代代表文人的诗歌所体现的特点予以分析。其次论述了宋诗话关于宋诗“淡而无味”与“苏黄习气”的批判,并指出宋诗话针对诗歌“淡而无味”的特点提出的相应解决办法。第三部分是本论文的结语,根据以上两部分得出结论,“言外之意”在宋诗话中已被作为一种诗歌的审美标准。正是这种标准指导文人在诗歌创作中更加注重对意的表达,并且一定程度上促成了宋诗内敛自省特征的形成。
[Abstract]:The literati's pursuit of "the implication of words" has existed since ancient times. But it was not until the Song Dynasty that the implication was established as a poetic term. In this paper, the author makes a research on the theory of "the implication of words", which is based on the poems of Song Dynasty edited by he Wen-hwan and Ding Fubao's "the continuation of Poems and stories of the past dynasties". This paper explores the guiding significance of these theories to the poetry creation of literati and the contribution to the formation of the introspection characteristics of the poetry of the Song Dynasty. In order to better interpret "the implication of words", the author draws lessons from Wang long's "from Pearl in the Water to the Moon in the Water-the Transmutation of the implication of words" in Poetics. It is understood as "implicative meaning" and "implicative taste". The former is the multiple meaning of poetry made by poets in the process of poetry creation by means of rhetorical devices such as allusions and practice. The latter is the style of poetry based on poetic language, which is often referred to as "flavor". The first part is the introduction of this paper, which mainly introduces the research significance, the current situation and the main research methods of "the implication of words" in the poetry of Song Dynasty. And the definition of "implied meaning" and "implied taste". The second part is the text of this paper, the first chapter mainly discusses the establishment of "implication" in Song poetry. First of all, the theory of "implicature" before the Song Dynasty was combed. Secondly, the author analyzes the reasons why the meaning of implicature, as a poetic term, was established in the Song Dynasty, in order to study the implication of implicature more deeply. The second chapter mainly discusses the aesthetic pursuit of poetry. First of all, it clarifies the poetry creation guidance of the literati, which is embodied in the literati's pursuit of "implied meaning". Secondly, the "untitled" poetry in Song poetry is analyzed as the creative practice of the pursuit of "implied meaning". The third chapter mainly discusses the aesthetic pursuit of poetry. Firstly, the characteristics of the poetry of the representative literati in the Song Dynasty are analyzed. Secondly, it discusses the criticism of Song poetry on "dull and tasteless" and "Su Huang's habit", and points out the corresponding solutions to the characteristics of poetry. The third part is the conclusion of this thesis. According to the above two parts, the implication of the words has been regarded as a kind of aesthetic standard of poetry. It is this standard that guides the literati to pay more attention to the expression of meaning in poetry creation, and to some extent contributed to the formation of the characteristics of introspection and introspection in Song poetry.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.22

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