第九届茅盾文学奖：用文学书写“中国精神”

发布时间：2018-05-26 02:06

本文选题：第九届茅盾文学奖 + “中国精神”　；参考：《曲阜师范大学》2017年硕士论文

【摘要】：“中国精神”是习近平总书记提出的新理论命题,是特定历史时代条件下文艺发展的硕果,是马克思主义文艺思想中国化的产物。习近平总书记在《在文艺工作座谈会上的讲话》中系统地阐述了文艺与“中国梦”、文艺与时代、文艺与人民、文艺与“中国精神”及党对文艺领导五个大方面的关系,指出了当前文艺工作的问题,并为新形势下文艺工作发展方向做了进一步说明。同时,《讲话》又对“中国精神是社会主义文艺的灵魂”这一核心观点进行了细致地阐发。第九届茅盾文学奖评奖在《讲话》之后,其势必贯穿着“中国精神”的思想特质。论文包括绪论和结语共有五个部分。第一部分论述了第九届茅盾文学奖的指导思想。从“中国精神”的提出及其内涵的剖析中可以看出,“中国精神”是时代和历史相融合的产物,其对民族精神深沉眷恋、对时代精神无畏彰显以及真善美统一的内涵无疑构成了第九届茅奖的评奖基础。第二部分着重分析第九届茅盾文学奖条例所呈现的“中国精神”,这是“中国精神”审美内涵的具体体现。通过对文艺创作中坚持“以人民为中心”的历史渊源,以及文艺与人民辩证关系的论述,论证“中国精神”的核心即是“以人民为中心”的创作导向。而第九届茅奖是在“中国精神”提出之后而颁发的国家性文艺奖项,其评奖条例、标准都蕴含着“中国精神”的深刻内涵。第三部分则重点阐释了获奖作品的创新精神。这一部分从习近平总书记所强调的“历史的、人民的、艺术的、美学的”文艺批评观入手,详细论述文艺批评的新观点,以及对获奖作品所体现的美学内涵进行评析,进而体现文艺书写“中国精神”的美学品质。本文的创新之处在于,从新的历史和时代背景下,通过对第九届茅盾文学评奖条例、标准以及作品的分析和论述,从而体现出“中国精神”的进步性和创新性。“中国精神”作为独立的概念,是习近平总书记的首创,他提出“中国精神是社会主义的灵魂”这一新的历史命题。在总结历代领导人文艺思想的基础上,习近平总书记提出“中国精神”这一饱含着当代中国与传统中国相结合的主题观念,为马克思主义文艺理论在中国的发展注入新的活力,对引领中国当代文艺理论的新发展具有极大的理论意义。
[Abstract]:"Chinese Spirit" is a new theoretical proposition put forward by General Secretary Xi Jinping. It is the result of the development of literature and art under certain historical conditions and the product of the Sinicization of Marxist literary and artistic thoughts. In his speech at the Symposium on Literary and Art work, General Secretary Xi Jinping systematically expounded the relations between literature and art and "Chinese Dream", literature and art and the times, literature and art and the people, and between literature and art and the "Chinese spirit" and the Party's leadership in literature and art. This paper points out the problems of the current literature and art work, and further explains the development direction of the literature and art work under the new situation. At the same time, the "Chinese spirit is the soul of socialist literature and art" is explained in detail. After "speech", the ninth Mao Dun Literature Award is bound to run through the ideological characteristics of "Chinese Spirit". The thesis includes five parts: introduction and conclusion. The first part discusses the guiding ideology of the ninth Mao Dun Prize for Literature. From the analysis of the "Chinese spirit" and its connotation, we can see that the "Chinese spirit" is the product of the fusion of the times and the history, and it is deeply attached to the national spirit. The intrepid manifestation of the spirit of the times and the unity of truth, goodness and beauty undoubtedly formed the foundation of the 9th Mao Prize. The second part focuses on the analysis of the "Chinese spirit" presented by the 9th Mao Dun Literature Award, which is the concrete embodiment of the aesthetic connotation of the "Chinese Spirit". By discussing the historical origin of "people as the center" in literary and artistic creation and the dialectical relationship between literature and art and the people, it is demonstrated that the core of "Chinese spirit" is the creative orientation of "people as the center". The 9th Mao Prize is a national literature and art award issued after the "Chinese Spirit" was put forward, and its regulations and standards contain the profound connotation of the "Chinese Spirit". The third part focuses on the innovative spirit of the winning works. This part begins with the view of literary criticism of history, people, art and aesthetics emphasized by General Secretary Xi Jinping, and discusses in detail the new viewpoints of literary criticism, as well as the aesthetic connotation embodied in the award-winning works. And then embody the aesthetic quality of the Chinese spirit in literary and artistic writing. The innovation of this paper is that under the new historical and historical background, through the analysis and discussion of the ninth Mao Dun's literary award regulations, standards and works, this paper embodies the progressive and innovative nature of the Chinese spirit. As an independent concept, "Chinese Spirit" is the first one of General Secretary Xi Jinping. He put forward the new historical proposition that "Chinese spirit is the soul of socialism". On the basis of summing up the literary and artistic thoughts of past leaders, General Secretary Xi Jinping put forward the theme concept of "Chinese Spirit", which is full of the combination of contemporary China and traditional China, and infuses new vitality into the development of Marxist literary theory in China. It is of great theoretical significance to guide the new development of contemporary Chinese literary theory.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.7

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