论穆旦诗歌的人称结构与主体意识

发布时间：2018-05-26 06:20

本文选题：穆旦 + 诗歌　；参考：《华东师范大学》2015年硕士论文

【摘要】：穆旦是中国新诗发展历程中的一位重要诗人。在其繁复的诗歌创作中,“人称”使用上的多变是一个显明的现象,而分析穆旦诗歌中“人称”的结构性变化及其背后的主体意识的转换,是深刻理解穆旦诗歌意义的有效途径。在此前提下,首先要反思的是,在既往研究中,将穆旦放置在现代性框架中去历史化的阅读方法,并以此为起点,从而将穆旦重新放回到二十世纪中国的特殊语境中。因此可以将穆旦诗歌创作历程分为三个阶段,即在1937——1942年间,穆旦诗歌中的人称使用相对复杂,试图从“我”走向“我们”；在1942——1948年间,“我们”这一复数性人称代词增多,并强调这之上的战争、日常生活等他者；而在1957年、1976年的诗作中,人称代词又只有相对简单的“我”和“你”,而“人称”之上的他者却转化为“政治”和“死亡”。简言之,作为抒情主体的穆旦有一个从“我”走向“我们”,又最终复归个人主体的过程,而由此可以揭示穆旦在不同时代的主体位置,以及带给当下诗歌创作的启示。
[Abstract]:Mu Dan is an important poet in the development of Chinese new poetry. In his complicated poetry creation, the changeable use of "person" is an obvious phenomenon. This paper analyzes the structural changes of "person" in Mu Dan's poetry and the transformation of its subjective consciousness behind it. It is an effective way to understand the meaning of Mu Dan poetry. On this premise, the first thing to reflect on is that, in previous studies, we should put Mu Dan in the frame of modernity and take it as a starting point to put Mu Dan back into the special context of China in the 20th century. Therefore, we can divide the process of Mu Dan's poetry creation into three stages, that is, from 1937 to 1942, the use of the person in Mu Dan's poems was relatively complex, trying to move from "I" to "us"; in 1942-1948, The plural personal pronouns of "We" have increased and emphasized the war, daily life, and others, while in 1957, 1976's poems, personal pronouns had only the relatively simple "I" and "you". The other above the person is transformed into politics and death. In short, Mu Dan, as a lyric subject, has a process from "I" to "us" and finally to individual subject, which can reveal the main position of Mu Dan in different times and the inspiration to the current poetry creation.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.25

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