论张爱玲后期创作的“改写”现象——以“惘然小说”为中心

发布时间：2018-05-28 03:19

本文选题：张爱玲 + 后期创作　；参考：《中国现代文学研究丛刊》2017年10期

【摘要】：张爱玲离港赴美后仍然笔耕不辍,但大量精力都用在"改写",包括改编、改译方面。有对一些古今名作的"改写",更有对自己作品不厌其烦的"改写"。她大约有三十年的文学生活主要处于"改写"状态。对这种"现象"进行研究,可能有助于加深对张爱玲后期创作及文学观念的了解。张爱玲对"改写"的偏好,可以视作她的某种文学认知"装置"。本文以《浮花浪蕊》《相见欢》《色,戒》等屡经改写的"惘然小说"为对象,梳理张爱玲自1950年代中期至1980年代初期近三十年的小说"改写"轨迹,将其与彼时张爱玲的文学观念如"社会小说"论、"平淡而近自然"、对所谓"夹缝文章"的讲求等相互比照印证,力图把握张爱玲后期文学的内在特性。
[Abstract]:After leaving Hong Kong for the United States, Zhang Ailing continued to devote much effort to "rewriting," including adaptation and translation. There are some ancient and modern masterpieces of "rewriting", but also to their own works of "rewriting." For about thirty years, her literary life was mainly "rewritten". The study of this phenomenon may help to deepen the understanding of Zhang Ailing's later works and literary ideas. Zhang Ailing's preference for rewriting can be seen as her literary cognitive device. Based on the "lost novels", which have been rewritten repeatedly, such as "seeing each other" and "seeing each other", this paper combs the "rewriting" track of Zhang Ailing's novels from the mid-1950s to the early 1980s. Comparing it with Zhang Ailing's literary ideas at that time, such as "social fiction", "insipid and near nature", and so on, the emphasis of the so-called "stitching article" is verified mutually, in order to grasp the inherent characteristics of Zhang Ailing's later literature.
【作者单位】：首都师范大学文学院;
【分类号】：I207.42

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