论江淹赋作中的文学审美观念——兼论中国文学理论批评对象的学科定位

发布时间：2018-05-28 18:52

  本文选题：江淹 + 人生经历　； 参考：《学术研究》2017年10期

【摘要】：江淹的赋作中蕴含着丰富的文学理念与思想。江淹出身孤寒,在刘宋时代屡受挫折,对于时事的险恶有着独特的体会与感受。这使他的赋作在继承屈骚文学与鲍照诗文的同时,善于出新。他的赋作以悲为美,具有丰富的文学思想。以悲为美既是从个体感受出发,又能够上升到天道人生来思索,从而拓展了汉魏以来赋作的审美境界。这也使他的赋作中具备了自觉为文的思想。
[Abstract]:Jiang Yan's Fu contains abundant literary ideas and thoughts. Jiang Yan, born cold, suffered repeated setbacks in Liu Song Dynasty, has a unique experience and feelings about current affairs. This makes his Fu to inherit qu Sao literature and Baozhao poetry at the same time, good at new. His works are beautiful with sadness and rich literary thoughts. The beauty of sadness is not only from the individual feeling, but also can rise to the natural thinking of Heaven and Taoism, thus expanding the aesthetic realm of Fu since the Han and Wei dynasties. This also made his Fu with the thought of consciously for the text.
【作者单位】： 中国人民大学国学院;
【基金】：中国人民大学科学基金研究项目“四部之学与中国文学形态构建”(17XNL012)的阶段性成果
【分类号】：I207.22
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本文编号：1947798