失败艺术家的肖像画——张悦然的“艺术情结”与1980年代的“精神难题”

发布时间：2018-06-01 06:13

本文选题：张悦然 + 失败艺术家　；参考：《中国现代文学研究丛刊》2017年10期

【摘要】：从早期的创作开始,由画家、摄影师、诗人与小说家等构成的"艺术家"形象就在张悦然的小说中反复出现,构成一个特殊的人物序列。作者对于艺术家失去了灵感、才华与创作空间后的"失败处境"和"悲剧意味"有着特别的关注,而这一书写情结,恰恰向我们提示了一条进入张悦然精神结构的"秘密通道"。"失败艺术家"的肖像画背后,是生于80年代的张悦然深藏的自我主体性、精神资源及时代经验之间的互动,而"精神的80年代"也以一种叙述上的隐身术成为了作者在"造像"时实际潜在的历史坐标。值得注意的是,张悦然对于艺术的纯粹理想、"失败"的美学化表达及"父辈艺术家"的精神认同,或许能够在90年代以来以种种方式建构"80年代浪漫神话"的知识分子身上找到呼应与回响。在继承父辈精神的同时,张悦然也同时接过了父辈的"精神难题",并最终转向对自己与同时代人的精神困境与艺术抉择的思考。
[Abstract]:From the beginning of his early creation, the image of "artist", composed of painters, photographers, poets and novelists, appeared repeatedly in Zhang Yuelan's novels, forming a special sequence of characters. The author pays special attention to the "failure situation" and "tragedy meaning" after the artist lost inspiration, talent and creative space, and this writing complex is just a "secret channel" to enter Zhang Yuelan's spiritual structure. " Behind the portrait of the failed artist is the interaction between Zhang Yuelan's deep self-subjectivity, spiritual resources and the experience of the times, born in the 1980s. And the 80's of Spirit has become the actual historical coordinate of the author in the "statue" with a narrating stealthy technique. It is worth noting that Zhang Yuelan's pure ideal of art, the aesthetic expression of "failure" and the spiritual identity of "father artists", Perhaps we can find echoes and echoes among intellectuals who have constructed romantic mythology in the 1980 s in various ways since the 1990 s. While inheriting the spirit of his father's generation, Zhang Yuelan also took over the "spiritual puzzle" of his father's generation, and finally turned to thinking about his spiritual predicament and his artistic choice with his contemporaries.
【作者单位】：北京大学中文系;
【分类号】：I207.42

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