威权之域与首善之区——两汉散体赋都邑理念的差异

发布时间：2018-06-04 15:43

本文选题：汉赋 + 都邑理念　；参考：《复旦学报(社会科学版)》2017年04期

【摘要】：两汉散体赋对于都邑的赋写,实质上是赋家基于时代诉求而产生的都邑理念的艺术再现。此类题材的赋作,大体呈现出两种倾向:以司马相如为代表的赋家以表现天子威权为主,突出西都长安的壮丽饶富;以班固、张衡为代表的赋家以表现天子德治为主,赋文打破了历史发生顺序,重新组合东汉帝王的礼制活动,或按照由内而外的德化顺序,或按照礼书所载一年四季的礼仪安排,表现永平之政,突出东都洛阳首善之区的地位。由扬雄发端的关于司马相如赋二元对立的讽谏结构的解读,以及班固、张衡赋作对于颂今、讽谏立场的强调,使其赋文中西都壮丽背后的树威意识被淡化乃至被忽略,代之以淫侈之私欲的表达。
[Abstract]:The prose Fu of the Han Dynasty is essentially an artistic reproduction of the idea of a city based on the demands of the times. The Fu of this kind of theme has two tendencies in general: the Fu, represented by Sima Xiangru, mainly expresses the power of heaven and son, and highlights the magnificence and prosperity of the West Changan, and the Fu family represented by Ban Gu and Zhang Heng At present, the rule of virtue and virtue is the main thing. Fu Wen broke the historical sequence, recombined the ceremonial activities of the emperor of the Eastern Han Dynasty, or according to the order from the inside of Dehua, or in accordance with the etiquette arrangement of the four seasons of the year in the book of Rites, to show the position of Yongping, and to highlight the position of the first good area of East Luoyang. The irony of Yang Xiong's hair on the opposition of Sima Xiangru and Fu Eryuan. The interpretation of the structure of the admonition, as well as the emphasis on Ban Gu and Zhang Heng, on the position of the satirical admonition, made the consciousness of the tree Wei behind the Chinese and Western magnificence being desalinated and ignored, and replaced by the expression of the extravagant extravagance of the selfish desire.
【作者单位】：吉林大学文学院;
【基金】：教育部人文社会科学研究青年基金项目“汉代文学与都邑文化”(项目批准号:11YJC751030)的阶段性成果
【分类号】：I207.22

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