中国现代诗歌传播接受与经典化的三重向度

发布时间：2018-06-09 22:05

本文选题：新诗 + 批评　；参考：《天津社会科学》2017年03期

【摘要】：现在公认的那些现代诗歌经典,是近百年来传播接受与经典化的结果。经典化是多重力量参与完成的动态过程,其中起决定作用的是批评、选本与文学史著。批评选择有意味的新诗文本予以解读、阐发,揭示其内在意义;选本在浩如烟海的文本中遴选出供读者阅读的新诗范本;文学史著以"史"的权力,确认重要诗人诗作在文学史上的位置。三者既以各自不同的方式、特点发生作用;又往往相互合作,形成结构性力量,推动着现代诗歌经典化进程。批评、选本和文学史著作为中国现代诗歌传播接受与经典化的三重向度,受传播接受场域制约,与现当代多重话语建构联系在一起,因而以它们为主导力量所遴选、塑造出来的那些现代诗歌"经典"是否可信,便成为一个值得反思的问题。
[Abstract]:It is now accepted that the classics of modern poetry are the result of the dissemination of acceptance and canonization in the past hundred years. Classicalization is a dynamic process in which multiple forces participate in the completion, in which criticism, anthology and literary history play a decisive role. Criticism chooses meaningful new poetry texts to be interpreted, elucidated, and reveals its intrinsic significance; the anthology selects out a sample of new poems for readers to read in a vast number of texts; and literary history works have the power to use "history". To confirm the position of important poets' poems in the history of literature. They not only work in different ways and characteristics, but also cooperate with each other to form structural forces and promote the process of modern poetry canonization. Criticism, anthology and literary history are the triple dimensions of the acceptance and canonization of Chinese modern poetry, restricted by the field of acceptance of communication, and linked with the construction of multiple discourse in modern and contemporary times, so that they are selected as the leading force. Whether the modern poetry canon is credible or not becomes a question worthy of reflection.
【作者单位】：武汉大学文学院;
【基金】：国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917-1949)”(项目号:16ZDA186)的阶段性成果
【分类号】：I207.25

【相似文献】