论高晓声小说中的苦难书写

发布时间：2018-06-10 20:15

本文选题：高晓声 + 苦难书写　；参考：《南京师范大学》2015年硕士论文

【摘要】：高晓声是当代著名作家,自1951年便开始从事小说创作,直至晚年,仍是笔耕不辍。其作品受到读者广泛的欢迎。高晓声的小说以稳健细致的刻画、幽默深沉的语言为我们呈现了自新中国成立以来农民和知识分子在不同的社会时期因外部的左倾错误和内在顽固的国民性而导致的种种苦难。这种苦难书写不仅仅为我们提供了一种生活和心理上的苦难景象,也为我们展现了人之生存中个体所遭遇的处境和本真的生存状态。在这样的苦难书写中,我们看到高晓声温情与批判并存的创作心理,亲历与旁观同在的创作身份,热烈与冷静共处的创作姿态。总之,正是高晓声自身的苦难经历与启蒙立场的精神向往为其作品提供了多个层面的解读。同时,更期望通过对高晓声小说中苦难书写的研究,在文学史的长河中定位出高晓声小说的独特存在。本文以苦难的角度研究高晓声的小说创作,并且又对其苦难书写进行了多维的观照。首先对高晓声的苦难书写进行概述,从文本入手对苦难书写进行分类整理,将其小说中的苦难书写分为三个主题范式：乡村的物质苦难,历史遗留的苦难,知识分子的苦难。三个主题,涵盖了高晓声小说的苦难书写内容,从不同角度指向苦难书写这一文学母题。其次对高晓声苦难书写的叙事美学进行分析,从中发现高晓声苦难书写独特的审美风格,即幽默手法呈现出“笑中含泪”的叙事内涵,白描技巧暗含着“温情脉脉”的叙事情绪,双重身份带来“双声合唱”的叙事视角。最后从文学史的角度对高晓声的苦难书写进行厘定。高晓声小说的苦难书写以其融入自身经历的底层意识的抒发、激愤忧郁的知识分子式的冷峻批判、彰显人性光辉的情感救赎,在文学史的苦难书写中绽放出自己的风采。但同时也存在一些间距感缺失下的苦难书写的不足,如沉溺于苦难底层叙述难以自超越苦难意识的缺失等。
[Abstract]:Gao Xiao-sheng, a famous contemporary writer, has been engaged in novel writing since 1951. His works were widely welcomed by readers. Gao Xiao-sheng 's novels are characterized with steady and meticulous features, and the humorous and profound language presents all kinds of tribulations caused by the external left-leaning errors and the internal stubbornness of the national character of peasants and intellectuals in different social periods since the founding of the people's Republic of China. This kind of suffering writing not only provides us with a kind of life and psychological suffering scene, but also shows us the situation and the real living state of the individual in the human existence. In the writing of such suffering, we can see Gao Xiao-sheng 's creative psychology of co-existence of warmth and criticism, the creation identity of experiencing and watching with the onlookers, and the creative posture of warm and calm coexistence. In a word, it is Gao Xiao-sheng 's own suffering experience and spiritual yearning for enlightenment position that provide many levels of interpretation for his works. At the same time, we hope that through the study of the suffering writing in Gao Xiaosheng's novels, the unique existence of Gao Xiaosheng's novels will be located in the long stream of literary history. This paper studies Gao Xiao-sheng 's novel creation from the angle of suffering, and gives a multidimensional view of his suffering writing. Firstly, it summarizes Gao Xiao-sheng 's suffering writing, classifies the suffering writing from the text, and divides the suffering writing in his novels into three main paradigms: the country's material suffering, the historical suffering, and the intellectuals' suffering. Three themes, covering the suffering writing content of Gao Xiao-sheng 's novels, point to the literary motif of suffering writing from different angles. Secondly, it analyzes the narrative aesthetics of Gao Xiao-sheng 's suffering writing, and finds out that Gao Xiao-sheng 's suffering writing has a unique aesthetic style, that is, the humorous technique shows the narrative connotation of "tears in laughter". The narrative emotion of "tender vein" is implied in the technique of white drawing, and the dual identity brings the narrative angle of "double chorus". Finally, from the perspective of literary history, Gao Xiaosheng's suffering writing is determined. The suffering writing of Gao Xiao-sheng 's novels is characterized by the expression of his own consciousness of his own experience, the indignation and melancholy of the cold criticism of intellectuals, the brilliant emotional redemption of human nature, and the blooming of his own style in the writing of suffering in the history of literature. But at the same time, there are some shortcomings of suffering writing under the absence of distance, such as indulging in suffering understatement, it is difficult to transcend the lack of suffering consciousness and so on.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

【相似文献】