惩罚图像的语言再现——《檀香刑》新论

发布时间：2018-06-12 09:24

  本文选题：《檀香刑》 + 惩罚　； 参考：《中国文学研究》2017年02期

【摘要】：《檀香刑》并不止于"展示"酷刑,而是通过展示达到对酷刑的批判。就酷刑展示的实质而言,这是"惩罚"图像对"罪行"的隐喻。进一步分析表明,惩罚图像生成于执刑表演的过程,但执刑表演还包括伴随惩罚图像的"声音"。声音与图像的理想关系是"唱和",即前者体现出后者的"惩戒"效果与"审美"效果;然而在"檀香刑"的执刑中,声音与图像之间却是一种"解构"关系,孙丙及其猫腔最终解构了檀香刑图像的隐喻意义。
[Abstract]:Sandalwood torture is not only a demonstration of torture, but also a critique of torture. In terms of the essence of torture, it is a metaphor for crime in the image of punishment. Further analysis shows that the punishment image is generated from the execution process, but the execution performance also includes the "sound" accompanying the punishment image. The ideal relationship between sound and image is "singing harmony", that is, the former reflects the latter's "disciplinary" effect and "aesthetic" effect, but in the execution of "sandalwood punishment", there is a "deconstruction" relationship between sound and image. Sun and his cat finally deconstructed the metaphorical meaning of sandalwood.
【作者单位】： 江苏第二师范学院文学院;
【基金】：江苏省社科基金青年项目“《水浒传》小说成像研究”(15ZWC002) 江苏高校哲学社会科学研究项目“文学成像及其语图符号学方法研究”(2016SJD750006) 国家社科基金重点项目“文学图像论”(12AZW005)的阶段性研究成果
【分类号】：I207.42
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本文编号：2009192