论沈从文创作的互文性

发布时间：2018-06-17 10:14

本文选题：互文性 + 生命　；参考：《华中师范大学》2017年硕士论文

【摘要】：本文由引言、主体部分的四章和结语构成。引言论述了沈从文创作互文性的研究现状,以及论题的提出。第一章论述互文性理论。互文性内涵诞生之初的不严密性,导致了它日后的扩大和延伸。总体上讲,互文性理论主要包括意识形态和诗学形态两个方向。克里斯蒂娃的广义互文性、分裂的主体和罗兰·巴特的“作者之死”、“可写文本”属于意识形态路径,女性主义、后殖民主义利用互文性理论追求主体身份的诉求,也倾向意识形态路径;热奈特的“跨文本性”理论,重在研究文本之间的互文性关系,不涉及社会、历史,属于诗学形态路径。布鲁姆的“诗学误读理论”,重在探讨后来者对前驱诗人的误读,互文性发生在作者之间。第二章从沈从文创作的副文本性,歌谣与正文本的互文,以及文本内的对话三个方面探讨沈从文创作的文内互文。副文本既指向文本内,又指向文本外;歌谣一方面与正文本内容相互补充,一方面暗示故事的发展;文本内的对话主要探讨了沈从文创作中的大型对话和微型对话。第三章从人物再现的互文,情景再现的互文,以及湘西与都市的互文探讨沈从文创作的自文本互文。人物再现的互文旨在建构一种命题;情景再现的互文主要是对生命存在与毁灭的探讨;湘西与都市的互文,呈现了不同的生命形式,在一破一立中重造经典,重塑民族品德。第四章从沈从文创作与湘西文化的互文,与主流文化的互文,以及与文学经典的互文三个方面分别探讨沈从文创作的他文本互文。沈从文的创作与湘西文化的互文主要指向沈从文创作的传奇性与浪漫主义风格;与主流文学的互文则指向沈从文对生命的独特记录;与文学经典的互文指向沈从文重造经典的文学理想。结语总结全文基本观点。
[Abstract]:This paper is composed of four chapters of the main part and the preface. The introduction discusses the status quo of the intertextuality of Shen Congwen creation and the proposition. The first chapter discusses the theory of intertextuality. The unstrictness of intertextuality at the beginning of its birth leads to its expansion and extension in the future. Generally speaking, intertextuality theory mainly includes ideology and poetics. Christeva's broad intertextuality, divided subject, Roland Bart's death of the author, writable text belong to the ideological path, feminism, and postcolonialism's pursuit of subject identity by means of intertextuality. Zenet's theory of "cross-text" focuses on the intertextuality between texts, which does not involve society or history, but belongs to the poetic path. Bloom's Poetics misreading Theory focuses on the misreading of the former poets by the latecomers, and intertextuality occurs among the authors. Chapter two discusses the intertextuality of Shen Congwen's creation from three aspects: the intertextuality of ballad and the original text, and the dialogue in the text. On the one hand, ballads complement each other with the original text, on the other hand, they imply the development of the story. The dialogue in the text mainly discusses the large-scale dialogue and micro-dialogue in the creation of Shen Congwen. Chapter three discusses the self-text intertextuality created by Shen Congwen from the intertextuals of characters, scenes and cities. The intertextuality of characters is to construct a kind of proposition; the intertextuality of scene reproduction is mainly to discuss the existence and destruction of life; the intertextuality between Xiangxi and the city presents different life forms, reconstructs the classics in the process of breaking and reconstructing the national moral character. The fourth chapter discusses the intertextuality created by Shen Congwen from three aspects: the intertextuality between Shen Congwen creation and Xiangxi culture, the intertextuality with mainstream culture, and the intertextuality with literary classics. The creation of Shen Congwen and the intertextuality of Xiangxi culture mainly point to the legendary and romantic style of Shen Congwen's creation, and the intertextuals with mainstream literature point to Shen Congwen's unique record of life. The intertextuality with literary classics points to Shen Congwen's literary ideal of reconstructing classics. The conclusion summarizes the basic point of view of the full text.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206

【参考文献】