论卞之琳诗歌的古典语言意识

发布时间：2018-06-17 22:13

  本文选题：现代新诗 + 语言意识　； 参考：《河北学刊》2017年03期

【摘要】：卞之琳对诗歌语言有着永不满足、近乎苛刻的追求,执着于创造一种典雅圆融、凝练精致的现代白话诗语。在语言本体层面上,他在坚持使用现代白话口语的前提下,熔铸古典雅言诗语,从词汇、语法和语义层面改造新诗语言,努力创造一种适合现代新诗诗意表达和诗体要求、与散文白话相区别的新诗白话。卞之琳追求凝练的古典诗语意识,发挥古典诗歌“字思维”的优势,提高诗歌语言中名词和动词的比重,注重文言虚词的运用和表达效果,从而提升了白话诗语构筑意象的能力,拓展了新诗的表意空间。此外,还对诗歌用典作了现代传承和改造,在现代新诗与古典诗歌之间架起了一道精神桥梁,探索了现代白话诗语的多种可能性。
[Abstract]:Bian Zhilin has an insatiable, almost harsh pursuit of poetic language, and is dedicated to creating a refined and refined modern vernacular language. On the Noumenon level of language, on the premise of using modern colloquial spoken language, he melts and casts classical refined poem language, transforms the new poem language from the lexical, grammatical and semantic levels, and strives to create a kind of poetic expression and poetic style suitable for modern new poetry. Vernacular poetry distinguished from prose vernacular. Bian Zhilin pursues the condensed consciousness of classical poetry, exerts the advantage of "word thinking" in classical poetry, increases the proportion of nouns and verbs in poetry language, and pays attention to the application and expression effect of classical Chinese function words. Thus, it improves the ability of constructing image in vernacular poetry and expands the space of ideographic meaning of new poetry. In addition, it also makes a modern inheritance and transformation of poetry, establishes a spiritual bridge between modern poetry and classical poetry, and explores various possibilities of modern vernacular poetry.
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本文编号：2032626