上博简《孔子诗论》“颂”论及其诗学史意义

发布时间：2018-06-21 21:12

本文选题：《孔子诗论》 + 周颂　；参考：《文艺研究》2017年08期

【摘要】：出土文献《孔子诗论》"颂"论是今见最早的论"颂"专论。其对《周颂》内容性质所作"平德也"、"多言后"、"成功者"三个方面的概括,比传世文献中汉儒为"颂"所下定义多出一项内容,更符合《周颂》文本实际;又以"其乐安而迟,其歌绅而逖,其思深而远"分层评述《周颂》音乐、歌唱、诗歌文本风格特征,甚为确当,尤其是对文本精神实质的评论,凸显居安思危的忧患意识,有重要现实警示意义。"颂"论丰富孔子诗学思想体系,颠覆先秦诗论、乐论不分的定见,昭示先秦由音乐附庸到单句取义再到系统化文学性解《诗》的诗学走向,促使学界重估先秦文学思想整体发展水平,反思事物由低级到高级发展规律在学术思想领域的不完全适用性。
[Abstract]:The unearthed literature < Confucius's poetry > "ode" is the earliest theory of "eulogy". The summary of the three aspects of the nature of the "Zhou ode", "many words after" and "the successful man", is more than the definition of "ode" in the literature of the Han Dynasty, which is more in line with the reality of the Zhou Song. But far "delamination" of "Zhou Song > music, singing, and poetic text style" is very true, especially the comment on the essence of the spirit of the text, which highlights the consciousness of anxiety in danger and has important practical warning significance. "Ode" on the theory of Confucius's poetic thought, subverting the pre Qin poetry theory, the non distinction of the music theory, and showing the pre Qin period from the music vassal to the single sentence. The poetic trend of the literary interpretation of the systematized literary interpretation of the poetry has prompted the academic circles to reevaluate the overall level of the development of the pre Qin literary thought and reflect on the incomplete applicability of the law from the low to the advanced development in the academic field of thought.
【作者单位】：中国人民大学文学院;
【基金】：国家社科基金重点项目“先秦出土文献及佚文献文学综合研究”(批准号:15AZW004) 北京市社科基金重大项目“宋前出土文献及佚文献文学研究”(批准号:15ZDA13)成果
【分类号】：I207.22

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